儀式:我?guī)湍愠蔀槟腥?/h1>
評(píng)分:9.8 播放:83萬(wàn) 更新:2026-05-07
主演: Showa Sanson Yobaimura 

在日本一個(gè)小山村里,有一個(gè)古老的習(xí)俗,凡是村里的寡婦,必須教成年的男生做ai,并且跟他們勤加練習(xí),幫助男生蛻變?yōu)槟腥耍齻€(gè)村里的男人,都各自看中了喜歡的寡婦,并在夜里進(jìn)入各自家中,可以肆意玩弄寡婦,寡婦還不得拒絕,甚至其中有一個(gè)寡婦,男人才剛死不久,這個(gè)男生給男人上完一炷香,在男人的遺像前,就打起了如何玩弄寡婦肉體的主意...

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講述的是程崗所在的特警隊(duì)在局長(zhǎng)陳海安的運(yùn)籌帷幄下,與黃贊為首的走私犯罪集團(tuán)斗智斗勇,最后將犯罪分子一網(wǎng)打盡的故事。展現(xiàn)了以程崗、沈欣為代表的特警,為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻(xiàn)。

靶場(chǎng)

凱莉·康奈爾,史蒂芬妮·皮爾森,羅德·埃爾南德斯,安東尼·科洛,阿萊克薩·伊姆斯,杰森·托比亞斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence

  莎拉(艾麗莎·易默思 Alexa Yeames 飾)、托德(羅德·赫爾南德茲 Rod Hernandez 飾)、杰夫(杰森·托比亞斯 Jason Tobias 飾)、艾瑞克(安東尼·科洛 Anthony Kirlew 飾)、凱倫(斯蒂芬妮·皮爾森 Stephanie Pearson)、朱迪(凱莉·科耐爾 Kelly Connaire 飾)等六名大學(xué)生利用假期驅(qū)車(chē)游玩,途中他們的汽車(chē)爆胎。不巧的是他們拋錨的地點(diǎn)信號(hào)太差,四周前不著村后不著店,她們只能自己動(dòng)手修理汽車(chē)。身處荒郊野外,年輕人們只能耐心等待旅途的再度開(kāi)啟。誰(shuí)知就在這時(shí)候,其中兩人被不知來(lái)自何方的子彈射中,相繼慘死在烈日之下??只叛杆?gòu)浡?,而無(wú)情的子彈則接二連三射向他們。  不知何時(shí),他們已經(jīng)闖入無(wú)情殺手的狩獵場(chǎng),成為逃生希望渺茫的獵物……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

靈異隧道實(shí)錄

貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克

  澳大利亞悉尼,新南威爾士正遭受?chē)?yán)重的干旱,水資源短缺成為亟待解決的問(wèn)題。為了應(yīng)對(duì)這一情況,政府決定開(kāi)發(fā)一項(xiàng)水資源循環(huán)利用的項(xiàng)目,其中包括將位于悉尼城市下方的一段廢棄的鐵路隧道加以利用。圍繞隧道的改造和難民去向,在社會(huì)上引起了巨大爭(zhēng)論。雖然沸沸揚(yáng)揚(yáng),但是該廢棄隧道的改造計(jì)劃卻戛然而止。與此同時(shí),關(guān)于隧道中存在著神秘怪物的傳言也愈演愈烈。  一段Youtube上流傳的視頻引起了女記者娜塔莎·華納(貝爾·戴利亞 Bel Deliá 飾)的注意,她聯(lián)系了幾名業(yè)內(nèi)的好友和同事,帶著攝像器材前往隧道中一探究竟,恐怖的旅程就此拉開(kāi)序幕……