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圣誕奇遇結(jié)良緣
林子祥,岑建勛,張曼玉,午馬,秦沛,廖啟智,徐錦江戰(zhàn)栗驅(qū)魔
漢娜·邦·本茲,迪恩·基爾貝,Nicholas Anscombe正義聯(lián)盟:無限地球危機(上)
馬特·波莫,詹森·阿克斯,達倫·克里斯,梅格·唐納利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆圖,喬納森·亞當(dāng)斯,艾克·阿瑪?shù)?吉奧弗瑞·阿倫德,扎克·卡利森,亞歷山德拉·達達里奧,阿拉斯泰爾·鄧肯,艾托·艾桑多,Cynthia Hamidi,阿爾迪斯·霍吉,石井恵梨香,大衛(wèi)·卡耶,阿什莉·拉特羅普,馬特·蘭特爾河童之湄瀾怪談
龐玉龍,黃柏鈞,張沙沙,鄭曉民,何涌生猩球崛起3:終極之戰(zhàn)
安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考諾娃,阿米爾·米勒,泰瑞·諾塔里,泰·奧爾森,邁克爾·亞當(dāng)思韋特,托比·凱貝爾,加布里埃爾·查瓦里亞,朱迪·格雷爾,莎拉·坎寧,德文·達爾頓,阿萊克斯·潘諾維奇,亞歷桑德羅·朱利安尼,馬克斯·洛伊德-瓊斯,蒂莫西·韋伯杰莎貝爾
莎拉·斯努克,喬麗·卡特,馬克·韋伯,安娜·德拉·雷古拉,艾波·斯蒂文斯,布萊恩·哈利塞,拉麗莎·奧蕾尼克,大衛(wèi)·安德魯,克里斯·埃里斯,Vaughn Wilson,弗蘭·本內(nèi)特,Paul Garrett,芭芭拉·威特曼,Jason Davis,Lucius Baston同類精選
蟲2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田絹緒,細(xì)川佳央,橋野純平,中山求一郎熊貓計劃之部落奇遇記
成龍,馬麗,喬杉,于洋,王影璐,張子棟,王成思,柯達,宋木子,馮滿,王星,潘斌龍,于榮光,胡笑源奪命微笑2
娜奧米·斯科特,凱爾·加爾納,德魯·巴里摩爾,羅絲瑪麗·德薇特,盧卡斯·蓋奇,迪蘭·格魯拉,彼得·雅各布森,雷·尼科爾森,勞爾·卡斯提洛,達芙妮·澤利,邁爾斯·古鐵雷斯-賴?yán)?Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter White羅薩里奧
大衛(wèi)·達斯馬齊連,何塞·祖尼加,艾米莉亞·福徹,保羅·本-維克托,埃默羅德·圖比亞,尼克·巴拉德,戴安娜·萊茵,Indhira Serrano,盧納·巴克斯特,Guillermo García,康斯坦薩·古鐵雷斯,加瑪爾·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos鬼鏡
基弗·薩瑟蘭,寶拉·巴頓,Cameron Boyce,Erica Gluck,艾米·斯馬特導(dǎo)師2025
Sornram Aneklap,帕林亞·昂薩南,塔那萬·霍查雷拉哈,尼措空·卡瓊伯利叻,因托楚克·英拓楚克·倥拉瑪蘇皖,Sueangsuda Lawanprasert影視排行
鐵拳硬漢
徐少強,郜喬,邱彬山東豪杰許良東,在上海灘從碼頭苦力逆襲為商界巨擘,橫掃仇敵關(guān)無極。正當(dāng)他聯(lián)手大世界喬爺掌控商界時,英國勢力攜鴉片卷土重來。昔日兄弟馬遠竟被毒品控制,倒戈相向!喬爺慘死,許良東遭全城通緝…面對家國大義與兄弟情仇,他如何守住國門,書寫漕運傳奇?
彼得·潘的夢幻島噩夢
彼得·德索薩 Peter DeSouza-Feighoney,馬丁·波特洛克,Megan Placito,尼古拉斯·伍德,凱利斯頓·韋勒英,Chrissie Wunna,珍妮·米勒,凱莉·里安·桑松,Amanda Jane Cooper,亞當(dāng)·斯皮爾斯,Charlotte Jackson,Kat Green溫蒂為了救回被擄走的弟弟麥可,不惜踏入「邪惡彼得潘」的血腥煉獄。她在那里還遇見了被毒品腐蝕、形容枯槁的小叮當(dāng)。溫蒂將要面對的不僅僅是扭曲的童話,還有那令人窒息的恐怖真相。
北京猿人
緒形直人,王祖賢,哀川翔,丹波哲郎,坂上忍,小野賢章侵華戰(zhàn)爭時期,日本人將掠得的北京猿人頭骨偷運回國,途中沉沒,成為一樁疑案。當(dāng)年日本人將頭骨化石偷運回國,隱藏幾十年后,在和平環(huán)境下重新進行研究。他們將頭骨化石中的DNA殘片提取出來,進行培育,然后送入太空,據(jù)說這樣便可以憑借太空中的粒子幅射,使其蘊育成熟。不料,載著北京猿人胚胎的飛船失事,墜入海島,而北京猿人卻成功地誕生了?! 《踝尜t扮演的中國美麗女間諜的使命就是將北京猿人偷運回國,從此便和日本科學(xué)家展開了明爭暗斗。最后,雙方不分輸贏,而是達成了共識:北京猿人不是任何一國的財富,他們屬于大自然。于是,猿人一家三口和一只同樣由基因技術(shù)復(fù)制出來的猛瑪象被放歸了自然。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster