紅樓殘夢之董小宛

9.2 播放:32萬 2026-05-11

秦淮名妓董小宛和江南才子冒辟疆兩情相悅,但是董小宛的美貌使得富家公子和皇室子弟都垂涎不已,終是難逃被迷奸和被強暴的命運...冒襄屢試不中,仕途坎坷,此刻美人在抱,心靈得到暫時的慰藉,便萌發(fā)了與佳人歸隱田園,過一種恬淡生活的想法。董小宛風(fēng)塵打滾多年,亦早已厭倦那種任人攀折的生活,對冒襄的決定,她表示贊同與舍命追隨。一夜承歡,通宵長談。翌晨,冒襄籌措銀兩,向鴇母提出幫董小宛贖身。豈料,董小宛正當(dāng)走紅,不論冒襄出多少銀兩,鴇母始終不想放走這棵搖錢樹。好夢難成,兩人正為此事煩惱,適逢錢謙益偕同柳如是游覽至此。柳如是與董小宛是歡場的好姐妹,交情篤深。柳如是知道他們的處境之后,懇求錢謙益出面相助調(diào)解。錢謙益在江南一帶官望頗高,鴇母礙于情面,勉強同意追加巨額銀兩,讓冒襄為董小宛贖身。冒襄傾盡積蓄,仍然遠遠不夠鴇母提出來的銀兩數(shù)目。錢謙益慷慨解囊,冒襄才得以順利贖回了董小宛的自由身。冒襄與董小宛,雙雙跪倒在錢謙益腳下,千恩萬謝之后,灑淚而別,相攜返鄉(xiāng)而去。冒襄的結(jié)發(fā)妻子,體弱多病,通情達理,雖知董小宛是青樓出身,但仍欣然接受。董小宛作為冒襄的侍妾,在冒家住了下來,她知恩圖報,替冒妻承擔(dān)家庭的重擔(dān),孝順公婆,尊敬大婦,悉心照料冒襄的一雙兒女。董小宛把冒家打理得井井有條,家人有目共睹,眾人皆交口稱贊。董小宛亦覺得自己的選擇沒有錯,自然心無旁騖,心滿足足地在冒家平靜生活。董小宛除了把冒家的事情安排得有條不紊,還無微不至地照顧丈夫。冒襄閑居在家,潛心著書立說,她則在一旁紅袖添香,送茶備食,間或相幫著查考資料、抄寫書稿;又或彈奏一曲古箏,給丈夫消倦解困,清醒頭腦。這種夫唱婦隨的日子,可是董小宛一生夢相的生活。無奈,好景不長,董小宛只享受了這種寧靜而幸福的家庭生活一年多,明王朝內(nèi)憂外患,連天烽火,燒毀了她所擁有的一切。李自成攻占北京,吳三桂沖冠一怒為紅顏,引清兵入關(guān),瞬間時局動蕩,兵荒馬亂。冒襄家鄉(xiāng),也燃起了熊熊戰(zhàn)火。清軍肆虐橫行,燒殺搶掠,無惡不作。冒襄舉家逃避戰(zhàn)亂,輾轉(zhuǎn)深林僻路,風(fēng)餐露宿,饑寒交迫,苦不堪言。董小宛出身風(fēng)塵,風(fēng)雨飄搖,膽識智謀過人,逃難中常在前開路,或在后護衛(wèi),意在危難之時,以自己的姿色,換取保存冒家上下老少性命。

在線看

同款熱播

大熊

亞當(dāng)·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi Heaslet

  BIG BEAR is about Joe (Joey Kern) who reluctantly has his bachelor party even though his fiancé just dumped him for some Dude (recent Emmy nominated. Pablo Schreiber).

今夜,就算這份愛戀從世界上消失2025

秋泳愚,申詩雅

高中女生每天醒來時,都不記得昨天發(fā)生的事。她決定與一位拘謹?shù)耐瑢W(xué)交往,面對每一天的嶄新開始,兩人的愛能順利茁壯嗎?

超能計劃

杰米·??怂?約瑟夫·高登-萊維特,多米尼克·菲什巴克,羅德里戈·桑托羅,考特尼·萬斯,艾米·蘭德克,機關(guān)槍凱利,泰特·弗萊徹,阿倫·馬爾多納多,安德烈·沃德·哈蒙德,可亞娜·西蒙妮·辛普森,C.J.勒布朗,CG劉易斯,約瑟夫·波利昆,雅茨·德·利瑟爾,凱西·奈斯泰德,珍妮特·羅斯·阮,吉姆·克洛克,喬恩·阿茲,戴恩·羅茲,懷爾德·韋恩,賈斯汀·賈木什,戈登·德克海默,盧克·霍克斯,小彼得·詹梅斯,托尼·查普曼·斯蒂爾,約書亞·薩達索

  在新奧爾良的街道上,關(guān)于神秘新藥丸的消息開始傳播開來,這種藥丸可以解鎖每位使用者獨特的超能力。但問題是:在服用之前,沒人知道用藥后會發(fā)生什么。一些人會進化出防彈皮膚、隱形能力和超強力量,也有很多人會表現(xiàn)出更致命的反應(yīng)。但是,當(dāng)藥丸使城市內(nèi)的犯罪升級到危險水平時,當(dāng)?shù)鼐欤s瑟夫·高登-萊維特飾)與一名少女小販(多米尼克·菲什巴克飾)和誓報私仇的退伍士兵(杰米·??怂癸棧┞?lián)手以硬碰硬,他們冒著服用藥丸的風(fēng)險,以追蹤并制止制造出該藥丸的團隊。

索蕾:來自未來的妻子

希拉·達拉·艾莎,迪翁·維約科,David Gojkovic

  Sore從未來穿越回過去,只為改寫她丈夫Jonathan的命運。但命運從不輕易讓步——當(dāng)過去、現(xiàn)在與未來交織,她與Jonathan的愛情也陷入無法逃脫的時間迷宮。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

外出時刻

羅蘭·拉斐特,埃馬紐埃爾·貝克特,帕斯卡爾·格雷戈里,格雷戈里·蒙泰爾,安娜·盧瓦雷,Cyrille Hertel,盧安娜·巴杰拉米,Victor Bonnel,格林奇,托馬斯·西梅卡,蓋伊·托馬斯,Véronique Ruggia

  羅蘭·拉菲特([她])、艾瑪紐爾·貝克特([我的國王])主演新片[外出時刻]( L’heure de la sortie,暫譯)進入拍攝后期。本片由塞巴斯蒂安·馬赫尼耶自編自導(dǎo)。故事講述皮埃爾因一位年輕老師自殺,作為填補進入圣·約瑟夫?qū)W院工作。他很快發(fā)現(xiàn)這里青少年散發(fā)著一種敵意。本片預(yù)計8月2日殺青。