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肖菲勒
埃里卡·弗雷澤,埃里克·庫比亞克,馬蒂·麥克唐納邪惡之屋
喬賽琳·唐娜休,湯姆·諾南,瑪麗·沃倫諾夫,格蕾塔·葛韋格,AJ·鮑恩,迪·沃倫斯,希瑟·羅博,莉娜·鄧納姆,格雷厄姆·瑞斯尼克,緹·威斯特有朵云像你
屈楚蕭,王子文,王皓,何藍(lán)逗,黃毅,陳庭煜,吳彥姝,牛犇,余嘉誠迪茲先生進(jìn)城
加里·庫珀,琪恩·亞瑟,喬治·班克羅夫特,萊昂內(nèi)爾·斯坦德,道格拉斯·敦布里勒塔米·菲的眼睛
杰西卡·查斯坦,安德魯·加菲爾德,切莉·瓊斯,文森特·多諾費(fèi)奧,馬克·懷斯特拉克,山姆·賈格,路易斯·坎瑟米,加布里埃爾·奧爾德斯,弗瑞德里克·林恩,錢德勒·海德,杰伊·胡古雷,格蘭特·歐文斯,柯莉·坎帕尼,杰絲·威克斯勒,林賽·艾利夫,蘭德爾·P·海文斯,Joe Ando-Hirsh,德魯·布羅德里克,布倫特·莫雷爾·加斯金斯,Tanya Jacobson,小唐納德·諾里斯,Dan Johnson,Michael MacCauley銀瀑2:重現(xiàn)
丹德里·泰勒,Laura Flannery,杰德·拉姆西,亞當(dāng)·拉扎爾-懷特,尼基塔·拉姆齊,Jennifer Dorogi同類推薦
綁架2007
林嘉欣,劉若英,張智霖,郭濤,張兆輝,官恩娜,趙會(huì)南3年前,話劇老師林曉陽(林嘉欣飾)的弟弟被綁架,案件交由高級(jí)督察何宛真(劉若英飾)及智叔(張兆輝飾)負(fù)責(zé),可是在追捕的過程中,疑犯因爭(zhēng)吵墜樓身亡,林曉陽就此埋下了怨恨?! ∪旰?,林曉陽患病的丈夫(趙會(huì)南飾)病情加重,需要一千萬才能有治好的希望,林曉陽動(dòng)了綁架富豪王森(郭 濤飾)兒子的念頭。多日來林曉陽跟她從尼泊爾認(rèn)識(shí)的同伙跟蹤小孩動(dòng)向,后來決定在一個(gè)傍晚下手。剛好案子也是有何宛真接手,就讓林曉陽有了報(bào)復(fù)的心理,何宛真為了救回孩子只好服從,可她萬萬沒有想到,原來王森的兒子,跟自己的兒子調(diào)換了衣服穿,被林曉陽綁架的正是何宛真的兒子?! 蓚€(gè)女人,都為著心愛的親人在綁架案中斗志斗勇,展開激烈的較量。
臨時(shí)家族
張雙利,盛朗熙,李洛伊一個(gè)陷入瓶頸期的女演員,一個(gè)北京胡同孤僻老炮。一個(gè)姥姥帶大的熊孩子,一個(gè)失敗中年男人。這分別來自北漂,留守,離異,孤寡的四個(gè)人因?yàn)橐粓?chǎng)騙局被迫組成臨時(shí)的完整家庭。自此上演一段雞飛狗跳、笑淚交織的人間悲喜劇。他們?cè)诶硐肱c現(xiàn)實(shí)中困頓,在希望與孤寂里掙扎。在這臨時(shí)的親情里回望各自真正的血緣。而在歡聲笑語的身后,又有多少不為人知的傷心往事..
吹笛人
夏洛特·霍普,朱利安·山德斯,菲利普·克里斯托弗,Alexis Rodney,Kate Nichols,皮帕·溫斯洛,Aoibhe O'Flanagan,Oliver Savell,Salomé Chandler當(dāng)一位作曲家的任務(wù)是完成她已故導(dǎo)師的協(xié)奏曲時(shí),她很快發(fā)現(xiàn)演奏音樂會(huì)帶來致命的后果,這讓她發(fā)現(xiàn)了旋律的令人不安的起源和已經(jīng)覺醒的邪惡。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
裂口女2
飛鳥凜,川村雪繪,巖佐真悠子,真山明大,谷口賢志,草野康太,中野英雄,齋藤洋介,林未紀(jì)澤田家在岐阜縣經(jīng)營養(yǎng)雞場(chǎng),家里有三個(gè)姐妹花。大女兒澤田幸子(川村雪繪 飾)馬上就要結(jié)婚,二女兒澤田雪枝(巖佐真悠子 飾)在美容院工作,小女兒澤田真弓(飛鳥凜 飾)正讀中學(xué),生性活潑。然而,突如其來的慘劇將幸福的一家推入了深淵。雪枝過去的男朋友鈴木因?yàn)槎驶鸸バ模胍雍ρ┲?,不料卻把硫酸誤潑到了真弓臉上。深受傷害的真弓從此失去了笑 容,兩個(gè)姐姐陪伴在她身邊不斷鼓勵(lì)她?! 〔痪煤螅婀瓕W(xué)校的同學(xué)以及畢業(yè)生接連被殺,整個(gè)街區(qū)籠罩在恐怖的陰影之中……