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失控2018
李·佩斯,杰森·蘇戴奇斯,朱迪·格雷爾,寇瑞·斯托爾,艾琳·莫里亞蒂,賈斯汀·巴薩,邁克爾·庫立茲,塔拉·薩莫斯,伊多·戈德堡,岡本玉二,阿瑟·邁爾斯·法里卡,艾梅柏·里維拉,布賴恩·泰斯特,杰弗里·霍爾斯曼,奧馬爾·克魯茲·索托,Isabel Arraiza,Tyler Crumley,路易斯·O·羅薩多興登堡遇難記
喬治·C·斯科特,安妮·班克羅夫特,威廉·阿瑟東余下的就是沉默
馬魯斯·弗瑞爾·維扎德,奧維度·尼庫勒斯庫,米萊拉·澤塔,米哈伊·格魯亞·桑杜,瓦倫丁·波佩斯庫,尼庫·米霍奇,西爾維烏·比瑞斯不是鬧著玩的
李易祥,于根藝,曹隨風(fēng),田華春之祭
Anessa Ramsey,Shanna Forrestall,AJ Bowen不實夢境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson同類推薦
赤赤煉戀
土屋太鳳,吉澤亮,千眼美子,吉田羊,大杉漣,有森也實熙攘喧囂的大都會東京,游魂漫無目的地行走在城市的每一個角落。身穿校服的女高中生樹里(土屋太鳳 飾)曾經(jīng)將自己深鎖屋中,拒不登校,后來則選擇從公寓樓頂一躍而下,結(jié)束了自己十幾年匆匆的人生。此去經(jīng)年,她早已忘記當(dāng)初自殺的理由,甚至有時忽略了已經(jīng)死去的事實。細(xì)細(xì)回想生前事,曾有交到的傾心好友,也曾有運(yùn)動出色的青梅竹馬,而如今俱成過眼云煙。曾經(jīng)討厭嘈雜低端的她,現(xiàn)在反而喜歡身處其中。樹里仿佛是城市中唯一一個亡靈,沒有任何說話對象,除了那些慫恿失落的人自殺的蟲男。 這是她的孤獨(dú)地獄,沒有止境的旅程……
致命錄像帶2
凱爾西·艾博特,漢娜·阿爾·拉希德,法赫里·阿爾巴,奧卡·安塔拉,Bette Cassatt為了尋找在派對中失蹤的大學(xué)生,兩名攜帶錄像設(shè)備的私家偵探闖入了一幢空房子,并在其中發(fā)現(xiàn)數(shù)卷神秘錄影帶:1)男人米德爾頓植入了能記錄影像和聲音的義眼,他在家中卻看到恐怖的影像;2)在國家公園叢林里騎車的麥克碰到一個滿身傷痕、嘔吐黑水的女人,接下來一群恐怖喪尸慢慢向他靠近。被喪尸咬了后,男子的身體漸漸發(fā)生變化;3)某劇組造訪一個神秘教派,天堂般美好的表象下,恐怖氣息蔓延,他們偏偏趕上魔王降臨人間;4)父母不在的湖邊住宅,孩子們放肆玩耍。夜深人靜之際,強(qiáng)烈的光芒突然閃過,神秘生物進(jìn)入屋內(nèi),意外頻現(xiàn)。詭異的錄影帶,將觀看者引向黑暗深處……
最佳女婿
張學(xué)友,周星馳,莫少聰,張敏,吳耀漢,沈殿霞,梁榮忠,胡楓,廖啟智,鄭欣宜美發(fā)師紀(jì)阿開(張學(xué)友)、服裝設(shè)計師大眼龍(莫少聰)和風(fēng)水師賴布?。ㄖ苄邱Y)三個死黨合伙開了一家新潮美發(fā)店,不料開業(yè)當(dāng)天就與隔壁理發(fā)店老板發(fā)生爭執(zhí),幸得店老板女兒亞英(張敏)及時出手風(fēng)波平息,過程中,三人皆被亞英魅力吸引,為贏其芳心,開始頻頻登其家門獻(xiàn)殷勤?! ∧炒瓮聿途蹠?,三人爛醉與亞英誤睡一室,導(dǎo)致亞英懷孕,為與亞英一起生活,三人爭先恐后將準(zhǔn)父親一職往自己身上攬,又因三人血型相同,醫(yī)院也無法驗出誰在冒名,亞英父母決定先考察三人表現(xiàn),為爭當(dāng)最佳女婿,三人使盡渾身解數(shù)展開激烈角逐。
冷光中
麥卡·夢露,艾倫·霍科,特洛伊·科特蘇爾,杰西·厄文,海倫·亨特,帕特里克·薩邦圭,戴維·哈索姆,瓦羅娜·塞茨瓦埃洛,諾亞·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麥克馬洪,Yannick Lemos,Steven Miller,Barry Tuff,奧斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait出獄后的艾娃試圖重新開始,卻被哥哥卷回毒品交易。警方設(shè)局致哥哥身亡,她再度逃亡。好友遇害、父親背叛、親情撕裂下,艾娃鋌而走險,與毒梟交易并清除叛徒,最終再次入獄。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.