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登帕卡農(nóng)
?????????? ????????,?????? ???????????,????????? ?????????,??????? ???????????,??? ????????????,?????? ???????????????????????????? ?????????????????????????? ??????????????????????????????????????????????????????????????? ???????????????????????????????? 10 ??????????????????????????????????????????????????? ????????????????????????????? ?????? ???????????????????????????????????????????????????? ??????????????????????????????????????????????????????????????????????????
極限人生2026
張子棟,張雪菡,肥龍,王蕊,曹然然,王曉曦,吳連生影片講述中年男子馬然為湊百萬(wàn)彩禮錢(qián)加入地產(chǎn)中介項(xiàng)目，卻卷入詐騙案背負(fù)罪名，最終通過(guò)精心策劃洗脫嫌疑并將詐騙團(tuán)伙繩之以法，同時(shí)收獲真愛(ài)的故事。
熱血敢死隊(duì)
隋存毅,李恰,李博,呂九億,呂晨,王錦,劉小賓,楊明,馮奕鳴1936年冬，抗聯(lián)戰(zhàn)士劉文澤等人于林海雪原伏擊日軍，欲奪回被竊國(guó)寶，卻發(fā)現(xiàn)是贗品。他們與渡邊一郎部周旋，多名戰(zhàn)友犧牲，后在情報(bào)員老吳、僧人觀空協(xié)助下找到地宮。最終眾人與日軍激戰(zhàn)殉國(guó)，而他們用生命守護(hù)的國(guó)寶，50年后在般若寺遺址重現(xiàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
登帕卡農(nóng)
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一個(gè)明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson本片是同一故事第三度重拍的版本。此片將好萊塢的背景改成今日的搖滾樂(lè)壇，男主角原是著名的搖滾樂(lè)歌手，而女主角則在小型夜總會(huì)賣(mài)藝。影片中有不少熱門(mén)插曲，部分片段的鏡頭和表演都不俗，但整體則顯得有點(diǎn)矯揉造作，角色欠缺真正的生命感，不過(guò)娛樂(lè)性還是維持相當(dāng)水準(zhǔn)。本片曾獲奧斯卡最佳電影插曲金像獎(jiǎng)。