劇情簡介
香椎決定在與同事結(jié)婚的同時辭職……當她宣布結(jié)婚并退休時，長期針對她的經(jīng)理藤川的嫉妒爆發(fā)艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。為了抓住她并讓她成為自己的部下，經(jīng)理利用未婚夫的錯誤實施了一個黑暗的計劃
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復(fù)仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita杰弗里和莎拉是一對通奸的夫婦，他們謀殺的合法妻子索菲亞的尸體從太平間神秘消失后，他們拼命地尋找不在場證明。警探阿里亞·普拉達納竭盡全力，試圖揭開真相。尸體復(fù)活是為了向兇手復(fù)仇嗎？
正面還是反面？
娜迪亞·特列什科維奇,亞歷桑德羅·博爾吉,約翰·C·賴利,皮特·藍薩尼,米爾科·阿圖索,加布里埃萊·西里,吉昂尼·嘉科,羅伯特·阿蘭·帕卡德,喬吉歐·曼涅提,薩蒂·勒潑因特,費德里科·阿克羅尼,伊曼努埃拉·奧納吉,布魯諾·迪·吉奧瓦尼,塞弗里諾·斯佩蘭迪歐,杜門尼克·奇奧茲,薇歐拉·索爾達尼,克勞狄歐·卡斯托利20世紀初，在一場致命的牛仔競技后，羅莎與她的情人踏上逃亡之路，穿越意大利荒野，試圖擺脫追捕。他們的身后，是傳奇人物“水牛比爾”——他不僅是追蹤者，更是掌控故事的人。他拒絕改寫自己版本的真相，而羅莎的命運也因此被卷入一段被掩蓋的往事。隨著旅程深入，逃亡逐漸演變?yōu)橐粓鲫P(guān)于身份、記憶與敘事權(quán)的較量。在現(xiàn)實與傳說交織的邊界上，羅莎必須決定是否繼續(xù)逃避，或重新掌握屬于自己的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
迷失太空
海瑟·格拉漢姆,威廉·赫特,米密·羅杰斯,杰克·約翰遜,萊西·沙伯特,加里·奧德曼,馬特·勒布朗公元22世紀，因為人口過度膨脹、過度開發(fā)、環(huán)境極度惡化、食物也消耗殆盡。人類想要存活下去，就必須要到宇宙中去尋找新的可以棲身的星球。因此制造了一艘當時最先進的太空飛船，去考察發(fā)現(xiàn)的一顆可能適宜人類生存的星球。羅伯遜（威廉·赫特 William Hurt 飾）一家被選中擔負起了這次探索使命，他們將用10年的時間前往阿爾法星球?？墒?，這次擔負起全人類命運的任務(wù)卻有反對的聲音，部分邪惡勢力妄圖阻止這次任務(wù)。所以，當羅伯遜一家駕駛太空船剛進入太空的預(yù)定軌道時，反對派史密斯博士暗中進行破壞，導(dǎo)致飛船脫離的正常的軌道迫降到了一顆不知名的星球上。飛船上邪惡勢力的阻撓，不知名星球上的種種危機，如何才能重新設(shè)定新的航線……各種問題困惑著羅伯遜一家，他們真的就此迷失太空，無法到達目的地了嗎？人類的命運將何去何從？
判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡殘?zhí)苼y世，瘟疫橫行，傳言妖女吳雙化為邪祟禍害人間。然而，吳雙的哥哥不良人吳令，從不相信自己善良的妹妹會是所謂妖女，他決心以縫尸還魂的秘術(shù)，復(fù)活被斬首的妹妹，在暗影涌動的瘟神廟中，設(shè)下詭局，審判真正的惡人，求一份清白與公道?！ ∮捌鶕?jù)短篇小說《古廟夜譚》改編。
挑戰(zhàn)未來2：星云
Sue Price,查德·斯塔赫斯基,Sharon Bruneau亞歷克斯失敗后過去了73年，人類也失去了半機械人的戰(zhàn)爭。從那時起，人類就被奴役了?？茖W家們已經(jīng)開發(fā)出一種新的DNA毒株，這可能標志著Cyborgs的終結(jié)，并將其注射到志愿者身上。當生化機器人了解到這個女人和嬰兒時，他們都要終止。為了逃跑，她帶著一艘偷來的半機械人的船，在1980年回到了東非，在那里，母親被殺，但孩子得救了。這需要20年的時間，但半人半人的獵人星云最終找到了這個名叫亞歷克斯的女孩，并及時趕回來終結(jié)她的生命。
我家的事
藍葦華,高伊玲,曾敬驊,黃珮琪,朱羿銘,姚淳耀,嚴藝文,鄭有杰一個家就是一個四季，每個家都有不能說的秘密。追尋身世的姊姊、艱辛求子的媽媽、天兵闖蕩的弟弟、試圖逆轉(zhuǎn)人生的爸爸，有歡聲笑鬧，也有哭泣仿徨，直到微光照進幽暗的心房。改編自短片《姊姊》，導(dǎo)演潘客印首部長片以不同家人視角，編織一部動人小品，勾勒平凡臺灣鄉(xiāng)間家庭橫越24年的鮮活畫像。藍葦華、高伊玲、曾敬驊、黃佩琪共組一家四口，串起四段時光的悲喜往事。