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鋼鐵少女：決戰(zhàn)
明日花綺羅,青柳尊哉,龍坐,ハヤテ,春田純一在20XX年，日本面臨著最后一場(chǎng)戰(zhàn)爭(zhēng)的危機(jī)，一個(gè)軍事公司開(kāi)發(fā)的“大規(guī)模毀滅性超級(jí)武器”被恐怖組織奪走。同時(shí)，半機(jī)械人的克里斯·索奧托姆（Chris Saotome）被轉(zhuǎn)換為殺戮武器，遇到了一個(gè)名叫薩拉的神秘女孩....
咒·絲
戴立忍,梁靜,翟子陌,孔宋今,安琥,張瑤電臺(tái)主持人卓鎮(zhèn)濤（戴立忍 飾）極富才氣，他主持的情感心理節(jié)目深受廣大聽(tīng)眾喜愛(ài)。他還有一個(gè)令人羨慕的家庭，妻子（梁靜 飾）賢良持家，長(zhǎng)女曉藝是T臺(tái)的新星，兒子曉柏（翟文斌 飾）是有名的造型師，小女曉芊更是清新可人，伹隨著妻子在水族館的不幸遇害，這個(gè)美滿的家庭發(fā)生了巨大變化。警方確認(rèn)為他殺，而卓鎮(zhèn)濤因忙于工作疏于家庭從而背上了很大的心理包袱。三個(gè)孩子為兩任妻子所生，而兩任妻子全都死于非命。曉藝把責(zé)任一鼓腦推給爸爸，雖說(shuō)同父異母的孩孒們相處融洽，但作為心理專家的卓鎮(zhèn)濤確實(shí)難辭其究。隨著又一樁詭異事件的發(fā)生，真相即將浮出水面......
洛杉磯劫案
克里斯·海姆斯沃斯,馬克·魯法洛,巴里·基奧恩,哈莉·貝瑞,莫妮卡·巴巴羅,科里·霍金斯,尼克·諾特,詹妮弗·杰森·李,泰特·多諾萬(wàn),保羅·安德斯坦,戴文·博斯蒂克,德魯·鮑威爾,帕特里克·穆?tīng)柧S,馬修·德?tīng)枴?nèi)格羅,安德拉·內(nèi)切塔,法希姆·法茲利,佩曼·莫阿迪,丹·佩羅,喬?！に雇?哈娜可·福特曼從未失手的珠寶大盜，本想干完最后一票便金盆洗手，卻與中年失意的精英高管意外結(jié)盟，聯(lián)手布下棋局。另一邊，深陷職場(chǎng)困局的王牌警探，正憑借蛛絲馬跡一步步將矛頭對(duì)準(zhǔn)他們，更有黑幫劫匪暗中蟄伏，伺機(jī)攪局。螳螂捕蟬、黃雀在后，當(dāng)規(guī)則與道德的邊界被打破，這場(chǎng)顛覆命運(yùn)的驚天罪案，究竟誰(shuí)能安全脫身？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
妖星哥拉斯
池部良,白川由美,久保明,水野久美,平田昭彥不明妖星哥拉斯在茫茫宇宙中不斷前進(jìn)，沿途吸附大量的星際飛行物，不斷的變龐大，日本的觀測(cè)宇宙船隼號(hào)，為了探明其質(zhì)量大小，不幸被一起吸附，但是其在最后關(guān)頭向地球發(fā)出了其質(zhì)量數(shù)據(jù)，使地球上的人對(duì)其有了個(gè)初步認(rèn)識(shí)，后經(jīng)科學(xué)家計(jì)算測(cè)定，其質(zhì)量為地球的６１００倍，而且將在４５天后與地球相撞?！ 樽柚沟厍蚺c哥拉斯的相撞，科學(xué)家想出了一個(gè)大膽的辦法，就是運(yùn)用水素離子裝置在南極造一個(gè)噴射基地（類似與火箭發(fā)射器），讓地球動(dòng)起來(lái)，在哥拉斯到來(lái)之前，使地球移動(dòng)到其他軌道．等哥拉斯安全通過(guò)后，然后在北極在建個(gè)基地，使地球在回到原來(lái)的預(yù)定軌道。 計(jì)劃實(shí)施的非常順利，全世界各國(guó)在國(guó)聯(lián)的帶領(lǐng)下在南極建立了基地，但是由于在南極建造基地，在火焰發(fā)生器的作用下讓長(zhǎng)眠在南極的海象怪獸蘇醒了，并破壞了一部份基地，后來(lái)，在飛機(jī)導(dǎo)彈的攻擊下，怪獸死了，但由于怪獸的破壞，火箭發(fā)生器推遲了時(shí)間，到底地球能不能脫離哥拉斯的吞噬呢？
動(dòng)物僵尸2
Jonathon Buckley,Jarrid MasseA game ranger arresting poachers ends up saving their lives when zombie animals attack them in the jungle. Now surrounded, the game ranger and poachers forge uneasy alliance to stop the beasts before the super-zombie virus spreads to entire world.