灼人秘密妮娜
趙德胤第5部劇情長片《灼人秘密》獲得臺(tái)灣文化部輔導(dǎo)金新臺(tái)幣1200萬元補(bǔ)助，謬思演員吳可熙同時(shí)身兼演員與編劇，電影也首次告別緬甸，于2018年11月26日殺青。暫無內(nèi)容nbsp; 電影講述一個(gè)鄉(xiāng)下女孩到城市追夢的故事。女孩妮娜（吳可熙暫無內(nèi)容飾）為了追求演員夢獨(dú)自北上，她如愿獲得電影《諜戀》演出，卻因偏執(zhí)導(dǎo)演的污辱、經(jīng)紀(jì)人的不關(guān)心、助理的不專業(yè)，幾度瀕臨崩潰。好不容易拍完電影，竟又接到父親工廠倒閉、母親病重消息，妮娜不得不回到家鄉(xiāng)，她遇上昔日好友Kiki（宋蕓樺暫無內(nèi)容飾），發(fā)生了一連串奇異事件，而這一切，似乎都和當(dāng)初與她競爭角色后突然消失的女孩3號(hào)（夏于喬暫無內(nèi)容飾）有關(guān)暫無內(nèi)容hellip;...究竟面對(duì)命運(yùn)的無數(shù)磨難，妮娜該如何克服和面對(duì)？
播放通道
詳細(xì)簡介
熱門影視 大家都在看
逆向誘拐
蘇麗珊,吳肇軒,邵仲衡,朱鑒然,梁曉豐,陳曾寧,泰臣,蔣祖曼,楊秉基,岑珈其,黃修平,王敏德,葛民輝,曾翠珊,賴恩慈,張雪芹,曾江,陳豪,邵音音,何故,黃竣鋒,梁雍婷,吳良榮,袁文杰,周群達(dá),覃恩美,古天祥,許博文午夜的柳枝
梅根·福克斯,機(jī)關(guān)槍凱利,埃米爾·赫斯基,布魯斯·威利斯,盧卡斯·哈斯,凱特琳·卡邁克爾,奧利弗·伊莉絲·阿伯克隆比,麗迪雅·赫爾,杰基·克魯茲,泰勒·喬恩·奧爾森,斯溫·特梅爾,希斯蒂妮·史泰龍,邁克爾·比奇,多諾萬·W·卡特,奧馬爾·克魯茲·索托,大衛(wèi)·希爾,讓·皮埃爾·普拉茨,小戴維·M·桑多瓦爾,Jason Trawick,Welker White,Alec Monopoly,Sergio Rizzuto,Nick Koskoff,Katalina Viteri暗黑新娘！
杰西·巴克利,克里斯蒂安·貝爾,彼得·薩斯加德,安妮特·貝寧,杰克·吉倫哈爾,佩內(nèi)洛普·克魯茲,約翰·馬加羅,珍妮·柏林,路易斯·坎瑟米,馬修·馬希爾,朱莉安·浩夫,威廉·希爾,斯蒂芬妮·特洛亞克,馬西爾·摩丹,馬科·查卡,莉迪亞·凱莉,索菲婭·科,本·格林,伊蓮·阿普魯澤西,安東尼·貝里尼口徑
杰克·勞登,馬丁·麥凱恩,托尼·庫蘭,伊恩·皮里,喬治·安東,凱特·布拉肯,泰蕾茲·布拉德利,卡梅倫·杰克驅(qū)魔龍族馬小玲
黃宗澤,吳千語,蔡潔,呂良偉,劉心悠,廖子妤,黃文慧,朱栢康,吳啟洋,黃梓樂,萬綺雯,蘇麗珊,郭柏妍歡樂歲月2025
丹尼爾·雷德克里夫,喬納森·格羅夫,琳賽·門德茲,瑞格·羅杰斯,克里斯托·喬伊·布朗,Katie Rose Clarke,Natalie Wachen同類推薦
恐怖猴玩偶
多米尼克·基汀,Jane Hajduk,Courtney FulkUpon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.
我的阿米什人雙重生活
萊克西·邁恩特里,萊薩·威爾遜,Rachel Coopes父親神秘死亡后，年輕的阿米什女子艾瑪想要體驗(yàn)一些不同的東西，于是，她背著母親瑪麗，在朋友麗貝卡的幫助下，逃到英國世界去參加朗姆酒聚會(huì)。在那里，她遇到了白馬王子希思，他讓她愛不釋手。但她與他的夢幻約會(huì)被打斷了，因?yàn)樗蚓o急工作被叫到另一座城市。莎拉獨(dú)自留在家里體驗(yàn)現(xiàn)代世界的所有便利設(shè)施，她的生活很快變成了一場噩夢，她在廚房發(fā)現(xiàn)了一具尸體，不久之后，被一個(gè)神秘人物打昏?；謴?fù)意識(shí)后，她決定逃回阿米什人的生活并躲起來，但是當(dāng)偵探敲門詢問時(shí)，她意識(shí)到她必須自己尋找兇手。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
少女椿
中村里砂,風(fēng)間俊介,森野美咲,武瑠,佐伯大地,深水元基,中谷彰宏,鳥居美雪,鳥肌實(shí)故事發(fā)生在繁華的大都市東京，十四歲的少女阿綠（中村里砂 飾）失去了唯一的親人，孤苦無依的她在誤打誤撞之中走進(jìn)了名為“赤貓座”的巡回馬戲團(tuán)中，就此拉開了悲慘人生的序幕。無處可去的阿綠在馬戲團(tuán)中受盡了眾人的凌辱和折磨，淪為奴隸和傭人，日子過得苦不堪言，每一天都是地獄般的寫照 ?！ 【驮诎⒕G快要絕望之時(shí)，侏儒魔術(shù)師出現(xiàn)在了馬戲團(tuán)中，出現(xiàn)在了她的眼前。侏儒魔術(shù)師的出現(xiàn)讓快要倒閉的馬戲團(tuán)重現(xiàn)生機(jī)，他亦成為了馬戲團(tuán)中最重要的成員。與此同時(shí)，阿綠在魔術(shù)師的身上找到了久違的溫暖和感情，兩人決定結(jié)婚，雙雙逃離這充滿了痛苦的魔窟。
巴黎廚房
迪米特里·納佐羅夫,葉蓮娜·波德卡明斯卡婭,德米特里·納吉耶夫,馬克·博加泰爾夫,文森特·佩雷斯時(shí)尚的餐廳大都市“莫奈”紅紅火火。正是在這里，維克和馬克西姆要慶祝期待已久的婚禮。但計(jì)劃有變，當(dāng)餐廳是規(guī)定會(huì)談俄羅斯和法國的總統(tǒng)！餐廳隊(duì)?wèi)K敗，被迫進(jìn)入“流亡” - 在巴黎舉行。有廚師用馬克斯面臨危險(xiǎn)的競爭對(duì)手：廚師 - 與近親，和馬克西姆 - 與一個(gè)英俊的尼古拉斯，誰轉(zhuǎn)過頭比維克起泡酒香檳更好！而這還不是他的“全城熱戀”中的所有挑戰(zhàn)，你應(yīng)該試著挽回面子，喂總統(tǒng)和克服障礙萬元點(diǎn)菜法國文化……