胴體情迷

★ 4.9 播放：57萬 更新：2026-05-01

法國人馬克在警隊(duì)時(shí)是數(shù)一數(shù)二的神槍手，為了錢他作為內(nèi)應(yīng)勾結(jié)匪徒。后來東窗事發(fā)，馬克蹲了大牢。出獄后，妻兒被黑幫謀殺，事件對他造成了極大的心理創(chuàng)傷。為了報(bào)仇，馬克成為著名的職業(yè)殺手。這次他為了十萬美元酬金受雇于斯坦恩，來到布宜諾斯艾利斯。夜晚，拉卡姆出門招妓，白花兩百元還被打了一頓?；氐焦ⅲ貞浟铖R克不堪忍受。突然，他發(fā)現(xiàn)隔壁住著一位叫瑪麗娜的巨波絕色美女，展示出雪白的胴體，讓他欲火中燒、無法抗拒

在線播放

劇情簡介

法國人馬克在警隊(duì)時(shí)是數(shù)一數(shù)二的神槍手，為了錢他作為內(nèi)應(yīng)勾結(jié)匪徒。后來東窗事發(fā)，馬克蹲了大牢。出獄后，妻兒被黑幫謀殺，事件對他造成了極大的心理創(chuàng)傷。為了報(bào)仇，馬克成為著名的職業(yè)殺手。這次他為了十萬美元酬金受雇于斯坦恩，來到布宜諾斯艾利斯。夜晚，拉卡姆出門招妓，白花兩百元還被打了一頓?；氐焦?，回憶令馬克不堪忍受。突然，他發(fā)現(xiàn)隔壁住著一位叫瑪麗娜的巨波絕色美女，展示出雪白的胴體，讓他欲火中燒、無法抗拒

導(dǎo)演精選

狄仁杰之通天浮屠

唐載初年，位于郊外校場倒塌的通天浮屠殘骸一夜之間復(fù)活。天空中一條火龍照亮夜空，并噴射火球摧毀了整個(gè)校場，死傷無數(shù)。隨后通天浮屠也燃起大火，化為灰燼。而異族鬼道在城外叫囂，只有武則天效仿大佛自焚，天下才可免受災(zāi)難。城中內(nèi)外人心惶惶，狄仁杰奉命徹查此案，卻遇到了與自己有過節(jié)的大理寺少卿裴東升。二人不打不相識(shí)，被迫一起調(diào)查此案。面對外敵的入侵，隊(duì)友的不信任，狄仁杰決心背水一戰(zhàn)，勢要查明案件的真相。

當(dāng)邪惡潛伏時(shí)

　　一對兄弟在他們的莊園附近發(fā)現(xiàn)了一具殘缺不全的尸體，于是召集當(dāng)?shù)厝艘黄鹫{(diào)查。他們很快了解到，村子里發(fā)生的怪事是由一個(gè)惡靈引起的，這個(gè)靈魂進(jìn)入了一個(gè)當(dāng)?shù)厝说捏w內(nèi)，他們等待著通過適當(dāng)?shù)某绦蝌?qū)逐他體內(nèi)潰爛的惡魔。主角們不得不與迫在眉睫的危險(xiǎn)賽跑，試圖擺脫惡靈無情的魔爪。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.