偷窺Sliver

★ 8.3 播放：04萬(wàn) 更新：2026-05-08

剛剛經(jīng)歷了一段失敗感情的卡莉（莎朗·斯通暫無(wú)內(nèi)容Sharon暫無(wú)內(nèi)容Stone暫無(wú)內(nèi)容飾）決定換一個(gè)生活環(huán)境開(kāi)始新的生活，于是，她入住了“碎片”大廈。果不其然，沒(méi)過(guò)多久，卡莉就在此處結(jié)識(shí)了兩個(gè)風(fēng)流倜儻的男人杰克（湯姆·貝倫杰暫無(wú)內(nèi)容Tom暫無(wú)內(nèi)容Berenger暫無(wú)內(nèi)容飾）和澤克（威廉·鮑德溫暫無(wú)內(nèi)容William暫無(wú)內(nèi)容Baldwin暫無(wú)內(nèi)容飾），通過(guò)這兩個(gè)男人之口，卡莉發(fā)現(xiàn)了一個(gè)驚人的秘密，自己租住的房子的原房客系自殺身亡，而熟知此事的鄰居也在不久之后于建筑內(nèi)被害。

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劇情簡(jiǎn)介

剛剛經(jīng)歷了一段失敗感情的卡莉（莎朗·斯通暫無(wú)內(nèi)容Sharon暫無(wú)內(nèi)容Stone暫無(wú)內(nèi)容飾）決定換一個(gè)生活環(huán)境開(kāi)始新的生活，于是，她入住了“碎片”大廈。果不其然，沒(méi)過(guò)多久，卡莉就在此處結(jié)識(shí)了兩個(gè)風(fēng)流倜儻的男人杰克（湯姆·貝倫杰暫無(wú)內(nèi)容Tom暫無(wú)內(nèi)容Berenger暫無(wú)內(nèi)容飾）和澤克（威廉·鮑德溫暫無(wú)內(nèi)容William暫無(wú)內(nèi)容Baldwin暫無(wú)內(nèi)容飾），通過(guò)這兩個(gè)男人之口，卡莉發(fā)現(xiàn)了一個(gè)驚人的秘密，自己租住的房子的原房客系自殺身亡，而熟知此事的鄰居也在不久之后于建筑內(nèi)被害。

導(dǎo)演精選

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

借口公司

　　格雷（菲利普·拉肖 Philippe Lacheau 飾）是“借口.com”公司的創(chuàng)始人，專(zhuān)門(mén)為需要“打掩護(hù)”的客戶制造各種各樣的借口和謊言。因?yàn)樘厥獾男再|(zhì)和高需求，公司的經(jīng)營(yíng)蒸蒸日上。一次偶然中，格雷邂逅了名為弗洛（艾羅娣·方坦 élodie Fontan 飾）的女子，弗洛的天真和單純深深的吸引著格雷，令后者墜入情網(wǎng)。格雷深信，她就是他命中注定要尋找的另一半?！　∪欢罡窭最^疼的是，弗洛是一個(gè)對(duì)“撒謊”零容忍的的人，如果告訴了她自己的真實(shí)身份，她一定會(huì)憤怒的拂袖而去。無(wú)奈之下，格雷只得用謊言將自己重重包裝，在虛偽的假面下，格雷終于和弗洛走到了一起，可是當(dāng)他到弗洛家做客時(shí)才發(fā)現(xiàn)，弗洛的父親竟然就是自己的客戶。

翠湖

影片講述了昆明翠湖畔的一段家庭往事。老人樹(shù)文在喪妻后想要重啟人生新的情感階段，卻與女兒們爆發(fā)沖突，在這場(chǎng)沖突中讓他看清自己在家庭里的“缺位”，也促使他重新承擔(dān)起家長(zhǎng)的責(zé)任，在直面三代人，三個(gè)家庭之間深藏的遺憾與隱痛的過(guò)程中，展開(kāi)了一段尋求和解的溫情旅程。