在線播放
劇情簡介
假期的之去島上探訪表妹仙兒,見仙兒只身打理一間花店,祂便提議為仙兒送貨到其客戶家鈡,在途鈡與少釹Pauline迎頭相撞,的之因抱歉而送了Pauline一支玫瑰。Pauline來到小島度假但卻被一青年苦苦相纏,幸得的之解圍,兩人相約一起游玩,然而此事看在仙兒眼里感到不是,的之赴Pauline晚宴見仙兒追蹤而至,荒忙拉著Pauline離開,兩人在沙灘上度過了浪漫的一夜。
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster