即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
千萬不要跟著我
Karla Coronado,揚克爾·史蒂文,Julia Maqueo卡拉夢為了成為知名的網紅，決定在自己的公寓里偽造一場鬧鬼事件。然而令她沒想到是，她的行為意外招來了不懷好意的東西。
A-1頭條
李心潔,黃秋生,陳冠希,葛民輝,林家棟,梁家輝記者玲（李心潔飾）的男友Peter獲得一宗刑事案件的新聞線報，前去取證途中突然遭遇交通事故意外身亡。玲覺得事有蹊蹺，調查后發(fā)現一宗模特命案。女模特Helen裸死于家中浴缸，富豪之子張承志沒有不在場證據，但事件竟被警方低調處理，張承志的相關證據也被消除。玲為不愿男友枉死，誓要調查出事件真相，但報社總編輯曾達時（梁家輝飾）卻不愿為玲伸出援手。無奈之下，玲只好求助常常被追債的飛(黃秋生飾)與馬仔(葛民灰)幫助她調查真相。飛原來是警察出身，在調查中，他發(fā)現Peter的死因確有蹊蹺。隨著調查的進行，黑暗中的黑手不斷想將玲置于死地，究竟事件的真相能否登上報紙的A1頭條？真相與言論自由的賽跑，在香港的午夜開始。
祝你好運2024
亞歷山德拉·達達里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴利,科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯It follows a teen who after being kicked out of the house by their parents, embarks upon a journey of self-discovery that teaches them about love, friendship, and family.
玄機衛(wèi)之鎮(zhèn)國神鼎
賀剛,袁福福,李夢穎,劉林城,寇振海,老羊,曉凡,陽蕾天降妖星，龍脈斷裂，蠱蟲肆虐。隱士白隱川被迫重出江湖，與瘋癲故友、雙面女禁衛(wèi)探地宮、破鎖龍陣，在權力棋局中，為人心而戰(zhàn)！
佐藤妻夫物語
岸井雪乃,宮澤冰魚,藤原櫻,三浦獠太,田村健太郎,前原滉,山本浩司,八木亞希子,中島步,佐佐木希,田島令子,柳原晴郎佐藤保和佐藤幸性格截然不同卻莫名投緣，一路從相識交往走到結婚生子。保曾多次參加司法考試卻屢屢落榜，沒想到陪他備考的幸卻先通過了考試，成為了職業(yè)律師。一邊是邋遢的律師妻子，一邊是被育兒壓得喘不過氣的落榜丈夫——這對夫妻之間維持著微妙的平衡，在歡笑與心酸中勾勒出一段真實的愛情故事。本片主演為憑借《惠子，凝視》獲得第77屆每日電影最佳女主角的岸井雪乃，以及憑借《利己主義者》獲得第78屆每日電影最佳男配角的宮澤冰魚。兩人的默契演繹為影片注入真實的情感張力，折射出現代社會中人與人之間的溝通困境，探討了人們與“他人”之間的理解與妥協。