在線觀看
劇情提要
原本計劃私奔的一對男女,最終被組織抓回,蒙住眼睛、全身捆綁帶到了一片荒郊野外。四周靜謐無聲,使他們覺得自己被困在一間漆黑的地下室內。組織成員對他們百般戲弄與虐待,男子窺準時機,裸身逃亡;女人則被組織懸在十字架上,等待儀式性的懲罰。為了營救愛人,男人不久后折返,對組織成員乃至虐待成性的老大展開不可饒恕的殺戮。寂靜曠野,血腥彌漫 hellip; hellip; 本片靈感來自若松孝二一次取景之行,與足立正生的作品《女學生ゲリラ(女學生游擊隊)》以套拍的形式共同拍攝,大和屋竺化名出口出擔任劇本,標題由大島渚命名。
暗夜精選
A-1頭條
李心潔,黃秋生,陳冠希,葛民輝,林家棟,梁家輝零食小屋
加布·拉貝爾,David Costabile,米卡·阿卜杜拉哈佛少女的快樂清單
蓓爾·波利,內森·連恩,加布里埃爾·伯恩,瓦妮莎·貝爾,科林·奧多霍諾,杰森·雷特,威廉·莫斯里,戴斯敏·博格斯,普娜·賈甘納坦,扎卡里·因凡特,安迪·布斯蒂羅斯,瑪哈蕾·赫沙姆,喬爾·邁克利,斯科特·啟治·武田,科妮莉亞·格斯特詭秘陰宅
茱莉亞·克斯奇茲,Marii Weichsler,邁克爾·品克,Leon Orlandianyi,Inge Maux,Finn Reiter,Benno Rosskopf,Lars Bitterlich,Lisa Stern,Christina Cervenka柔情摯我
薇姬·克里普斯,莫妮亞·喬柯里,維果·費雷拉-雷迪爾,安托萬·賴納茨,費奧多爾·阿特金,樸智敏,Manuel Vallade,奧拉利亞·佩蒂特,薩利夫·西塞,朱利安·德·圣·讓,瑪洛·赫比齊,安娜·西加勒維奇,Tallulah Cassavetti,安東尼·米切爾,烏姆尼亞·哈納德神勇雙響炮續(xù)集
元彪,盧冠廷,陸小芬,惠英紅姐妹董事會
蕾切爾·蕾·庫克,丹妮拉·莫奈,列奧尼達斯·古拉普蒂斯同系列推薦
公寓管理員
帕特里克·約翰·弗呂格,方·基默,路易莎·克勞瑟,保羅·本-維克托,尤爾·瓦斯克斯,梅麗莎·博洛納,金·迪萊克特,阿曼達·沃倫,斯坦·德米多夫,盧克·愛德華茲,艾麗克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奧基里特·奧諾多瓦RRR
小老虎,拉姆·查蘭,阿賈耶·德烏干,阿莉雅·布哈特,奧利維亞·莫里斯,施芮婭·薩蘭,雷·史蒂文森,艾莉森·杜迪,塞繆拉卡尼,錢德拉·塞卡,馬卡蘭德·德斯潘德,拉杰夫·卡納卡拉,拉胡爾·拉瑪克里斯納,Edward Sonnenblick,Varun Buddhadev,Spandan Chaturvedi,馬克·班寧頓羅生門
三船敏郎,京町子,森雅之,志村喬,千秋實,上田吉二郎,本間文子,加東大介戰(zhàn)國奇譚妖刀傳劇場版
戶田惠子,井上和彥,若本規(guī)夫,矢尾一樹,鹽澤兼人,渡部猛魔法老師
西蒙·佩吉,凱特·貝金賽爾,羅賓·威廉姆斯,羅伯·里格爾,特瑞·吉列姆,約翰·克里斯,喬安娜·拉姆利,艾迪·伊扎德,亞歷克薩·戴維斯,艾瑞克·愛都,邁克爾·帕林,特瑞·瓊斯,羅伯特·巴瑟斯特,梅拉·沙爾,艾瑪·皮爾森,朱蒂·羅,桑吉夫·巴哈斯卡,布萊恩·考克斯,羅南·薩莫爾斯,加文·斯科特,瑪格麗塔·道爾鬼貓
黃氏·塞繆爾·安,Thien An,紅桃,Nguyen Thuc Thuy Tien幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
牙仙
身形健碩的德里克·湯普森(巨石·強森 Dwayne Johnson 飾)是一個作風粗暴的職業(yè)冰球手,由于經常打掉別人的牙齒,因此他在場上得了“牙仙”的綽號。正所謂風云變幻,時代更迭,隨著才俊新秀的涌現,德里克也漸漸成為一名過氣的板凳選手??穹抛载摰乃囟ㄐ那闃O度失落,故而經常用冰冷的語言打碎別人的夢想?! 〉吕锟说呐芽ɡ颍ò怖颉べZ德 Ashley Judd 飾)有一雙可愛的兒女,小女兒剛好處在換牙期,對神秘的牙仙還充滿遐想。此時德里克的老毛病又犯了,一心希望向女孩講述牙仙并不存在的真相。他的粗暴做法惹來了麻煩,牙仙大陸的負責人莉莉(朱麗·安德魯斯 Julie Andrews 飾)將他變?yōu)橐粋€身長翅膀、手持魔杖、衣著短裙的牙仙女,在接下來的兩周里,他將被迫以這身裝扮為孩子們帶去祝?!?/p>