藝術史

? 5.9 播放：19萬 2026-05-09

山姆（喬 ;斯萬博格）有感情朱麗葉（約瑟芬百得），在色青戲集中在一對夫婦的一夜情的女主角。他必須保持一個專業(yè)的關系，同時指導她。一切都很順利，直到朱麗葉和她合演埃里克（肯特 奧斯博內）制定對對方的感情，他們探索出相機。薩姆是快樂的，他的行為有如此巨大的化學反應，但同時也感到嫉妒。朱麗葉檢測山姆轉移情緒和做她最好的展現了他的感情，但他自己內心的掙扎威脅要破壞生產。 　　

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劇情提要

山姆（喬 ;斯萬博格）有感情朱麗葉（約瑟芬百得），在色青戲集中在一對夫婦的一夜情的女主角。他必須保持一個專業(yè)的關系，同時指導她。一切都很順利，直到朱麗葉和她合演埃里克（肯特 奧斯博內）制定對對方的感情，他們探索出相機。薩姆是快樂的，他的行為有如此巨大的化學反應，但同時也感到嫉妒。朱麗葉檢測山姆轉移情緒和做她最好的展現了他的感情，但他自己內心的掙扎威脅要破壞生產。 　　

幕后花絮

神勇雙響炮續(xù)集

　　小魔怪乃飛虎隊成員，因一次出錯，被調派至行動組與雷公共事，二人成斗氣冤家。威威李乃變節(jié)臥底，罪證菲林輾轉落在李女友Rosa手中，后來李遭反派毒手；小魔怪和雷公憑機智及運氣終把壞蛋們繩之于法。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.