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南奎麗,李天熙,李奎翰,東鉉培,金宰范,鄭恩星,薛智允,崔大成,金光炫,吳雅琳,趙漢善,鄭敬淏天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關(guān)秀媚,湯鎮(zhèn)業(yè),惠英紅,關(guān)海山梅根失蹤
安伯·珀金斯,蕾切爾·奎恩,迪恩·維特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普爾·斯圖瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德魯·道布勒寫(xiě)在大地上的詩(shī)
蘭嵐,查嶺混凝土烏托邦
李炳憲,樸敘俊,樸寶英,金善映,樸持厚,羅哲,金度允,南鎮(zhèn)福,金學(xué)善,樸周勇無(wú)處釋放我
杰瑞米·艾倫·懷特,杰瑞米·斯特朗,保羅·沃爾特·豪澤,斯蒂芬·格拉漢姆,奧黛莎·楊,馬克·馬龍,蓋比·霍夫曼,大衛(wèi)·克朗姆霍茨,格蕾絲·古默,哈里森·吉爾伯特森,約翰尼·坎尼扎羅,琳恩·A·弗里德曼,斯蒂芬·辛格,伊萬(wàn)·阿馬羅·布隆,莎拉·斯洛博達(dá),克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉貝拉·奧利維婭·克拉克,洛蕾娜·奧斯塔同類(lèi)推薦
比佛利拜金狗2
馬庫(kù)斯·科洛馬,艾琳·卡希爾,蘇珊·布萊克利,露貝·安緹維洛,卡斯圖羅·格雷拉,蘭斯·霍華德,伊蓮·亨德里克斯,布賴(lài)恩·斯特帕尼克,菲爾·劉易斯,弗倫奇·斯圖爾特,摩根·費(fèi)爾切爾德,克拉克·弗里曼,帕特·阿桑蒂,George Russo,Jose Hernandez,喬治·洛佩茲,奧黛塔·安納布爾,米蓋爾·弗爾,埃涅·赫德森,扎克瑞·戈登,艾米麗·奧斯蒙特,麥迪森·佩蒂絲,湯姆·肯尼,洛雷塔·迪瓦恩,布麗奇·門(mén)德勒,艾莉莎·米蘭諾,喬恩·多納休,喬·胡爾特拉斯,羅密·羅斯蒙特,蘇珊·格拉漢姆,克里斯蒂娜·《比佛利拜金狗2》雖然不像首集一般安排上戲院放映,但製作規(guī)格各方面也都比照當(dāng)初的電影,同樣是運(yùn)用電腦科技讓狗狗們開(kāi)口說(shuō)話演戲。本片的故事內(nèi)容則是接續(xù)原本的第一集最后,敘述終成眷屬的吉娃娃伴侶 Papi 和 Chloe 如今共組家庭,但是他們的冒險(xiǎn)可沒(méi)有因此結(jié)束喔!沒(méi)多久五隻小狗狗們 就報(bào)到了,Papi 和 Chloe 成天開(kāi)始忙著應(yīng)付這些小鬼頭,防止他們闖禍,給人類(lèi)主人以及鄰居帶來(lái)不必要的麻煩。而且他們的挑戰(zhàn)還不僅於此,這次雖然沒(méi)有翻山越嶺,但即使在比佛利本地也會(huì)面臨許多冒險(xiǎn),面對(duì)一隻嬌嬌狗的挑釁,吉娃娃們還必須登上狗狗名模伸展臺(tái),讓比佛利狗狗時(shí)尚界大開(kāi)眼界!
留低你個(gè)死人頭
William Baldwin,安琪拉·瓊斯蓋布麗(安琪拉·瓊斯 Angela Jones 飾)的童年里有一段非常可怕的經(jīng)歷,年幼的她曾經(jīng)在兇殺現(xiàn)場(chǎng)親眼目睹死尸。這一段奇異的人生經(jīng)歷讓蓋布麗開(kāi)始對(duì)尸體和死亡產(chǎn)生了好奇之心,這股子好奇隨著她年齡的增大越發(fā)強(qiáng)烈起來(lái),蓋布麗甚至?xí)匾獾氖詹貓?bào)紙上的謀殺新聞做成剪報(bào)冊(cè),時(shí)時(shí)翻閱溫習(xí)。 邁阿密接連發(fā)生兇殺案,被害者均是養(yǎng)尊處優(yōu)的闊太太,而且無(wú)不身首異處。這起連環(huán)殺人案件很快就吸引了蓋布麗的注意,為了能夠更加接近命案現(xiàn)場(chǎng),蓋布麗來(lái)到了一間專(zhuān)門(mén)清理命案現(xiàn)場(chǎng)的保潔公司應(yīng)聘成為了員工,并且在機(jī)緣巧合之下同連環(huán)殺人犯(威廉·鮑德溫 William Baldwin 飾)有了一面之緣。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
驚魂記1960
安東尼·博金斯,維拉·邁爾斯,約翰·加文,珍妮特·利,馬丁·鮑爾薩姆,約翰·麥克因泰,西蒙·奧克蘭,弗蘭克·艾伯森,帕特里夏·希區(qū)柯克,沃恩·泰勒,盧倫·塔特爾,約翰·安德森,莫特·米爾斯,吉特·卡森,維吉尼亞·格雷格,阿爾弗雷德·希區(qū)柯克,珍妮特·諾蘭,羅伯特·奧斯本,海倫·華萊士,Fletcher Allen,沃爾特·培根,弗朗西斯·德塞爾斯,喬治·多克斯塔德,喬治·埃爾德雷奇,哈珀·弗萊厄蒂,薩姆·弗林特,弗蘭克·基爾蒙德,泰德·奈特,帕特·麥卡弗里,漢斯-喬基姆·默比斯,弗雷德·謝威勒年輕的馬里恩·克蘭(珍妮特·利 飾)在Phoenix工作,深受老板洛厄里(沃恩·泰勒 飾)信任。男友薩姆·盧米斯(約翰·加文 飾)在Fairvale經(jīng)營(yíng)一家五金店,因要替亡父還債又要支付前妻贍養(yǎng)費(fèi)而無(wú)力再婚,只能借出差的機(jī)會(huì)偶爾來(lái)與馬里恩幽會(huì)。馬里恩對(duì)此感到不滿,于是在周五下午趁機(jī)攜四萬(wàn)美元公款駕車(chē)潛逃??墒邱R里恩的潛逃之路并不順利:先是在出城的時(shí)候被洛厄里目擊,周六一大早又被警察懷疑?;似甙倜涝耘f車(chē)換新車(chē)之后,馬里恩繼續(xù)忐忑地行駛。入夜后,天降大雨,視線模糊,無(wú)法行駛,馬里恩只得將車(chē)泊入路邊的貝茨汽車(chē)旅館投宿。老板諾爾曼(安東尼·珀金斯 飾)十分友善,試圖邀請(qǐng)馬里恩到家里共進(jìn)晚餐,可惜被兇惡的母親粗暴阻止,只得將晚餐端至旅館客廳。馬里恩在客廳一邊進(jìn)餐一邊與諾爾曼交談,終于決定周日返回Phoenix。用餐完畢,馬里恩回房沐浴。這時(shí),一個(gè)老婦的身影突然出現(xiàn)在衛(wèi)生間……
觀光路線
喬什·杜哈明,丹·福勒,米勒克爾·勞麗,Christie Burson,彼得·邁克爾·戈茨一對(duì)老友在公路旅行中被困沙漠,屢次求助無(wú)門(mén)酷暑難擋使他們暴力相向。