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兇兆1976
格利高里·派克,麗·萊米克,大衛(wèi)·沃納,比莉·懷特勞,哈維·史蒂芬斯,帕特里克·特羅,馬丁·本森,羅伯特·里耶蒂,湯米·杜根,約翰·斯特賴德,安東尼·尼科爾斯,霍利·帕蘭切,羅伊·博伊德,弗蕾達·道伊,希拉·雷諾故事發(fā)生在1966年6月6日的上午6時，在這樣一個不吉利的時刻，美國大使羅伯特（格利高里·派克 Gregory Peck 飾）領(lǐng)養(yǎng)了一個男孩并取名戴米（哈維·史蒂芬斯 Harvey Stephens 飾）。隨著時間的推移，戴米漸漸長大，一些奇怪事件的接連發(fā)生預(yù)示著厄運敲響了羅伯特的家門。戴米的保姆莫名自殺后，一個神秘的女人貝洛克（比莉·懷特勞 Billie Whitelaw 飾）毛遂自薦留在了戴米的身邊。之后，神父博南（帕特里克·斯偌頓 Patrick Troughton 飾）找到了羅伯特，他告訴羅伯特，戴米是撒旦的孩子，戴米會不擇手段完成統(tǒng)治世界的野心。對于神父的話，羅伯特半信半疑，直到博南神父的死訊傳來，羅伯特才意識到，事態(tài)的發(fā)展是多么的糟糕。
鐵血戰(zhàn)士：荒原
David Chokachi,Amulya Ananth,Vanessa ZanardiWhen an alien hunter arrives on post-apocalypse Earth, it takes down a gang of warlords and unexpectedly becomes a folk hero to the oppressed locals. Now with their support, the alien sets its sights on the warlords' ruthless leader.
百日孤獨
伊萬·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅外星人侵占了地球，人們被迫逃到地底下的巨型地堡避難。S.U.M.1是一個忠誠的戰(zhàn)士，他被送到地面上來拯救幸存者并每天匯報情況。他的任務(wù)就是守衛(wèi)人類的自我防御區(qū)不讓外星人靠近，然而這每天的例行任務(wù)卻逐漸成為他的噩夢，令人恐懼的聲音在樹林里回蕩；基地每日都受到頻繁的攻擊；塔內(nèi)的電力供應(yīng)出現(xiàn)故障；修理工卻遲遲不出現(xiàn)。他的上司也從未告訴過他有關(guān)上一任的事。孤獨感與妄想癥慢慢侵蝕了他的理智。難道外星人真的埋伏在森林里嗎？還是S.U.M.1已經(jīng)被折磨到精神錯亂了？
冰雪之行
馬特·波莫,喬什·維金斯,比爾·普爾曼,亞歷克斯·諾伊施泰特,莉莉·格萊斯頓,肯·懷特,斯科特·麥克米利恩父親與少年關(guān)系生疏，兩人決定以一次狩獵之行緩釋心結(jié)，然而深藏在森林中的灰熊，卻早已為他們埋下了生存危機。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
陰陽鏡
淮文,鄧靖弘 Jinghong Deng,江萊,張躍濱,曾廣泉,司珂華,肖沅希,王軍,李榮博宋真宗晚年，青春年少的包拯和好友公孫策，一同破獲一起塵封多年冤案。女主角月亮十多年前，全家被奸人所害，為了翻案，打聽到傳聞中陰陽鏡能斷是非真假，于是去墓地盜取，結(jié)果觸碰機關(guān)導(dǎo)致展昭被困，為了將其解救，必須破解地穴里的各種機關(guān)算術(shù)。一籌莫展的月亮剛好遇到聰慧過人的包拯，巧設(shè)伎倆利用鬼怪傳說，想引包拯去地穴救展昭。但包拯心中秉持正義、公平，從不相信鬼怪傳說，救出展昭后，月亮拿到陰陽鏡后，坦白自己一家遭奸人所害的事實，兇手還在逍遙法外。為了翻案包拯，利用陰陽鏡的傳說，使得案件重演，兇手心緒恐懼坦白從寬，認(rèn)罪伏法。從此，年少的包拯一舉成名，所代表的公平、公正和正義的形象，慢慢被民眾熟知，被民眾所擁戴。
恐怖猴玩偶
多米尼克·基汀,Jane Hajduk,Courtney FulkUpon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.