　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

鬼聲波

羅絲·麥高恩,克里斯托弗·洛伊德,邁克爾·艾克朗德,理查德·古恩,Jane Moffat

　　A writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.

交響詩篇超進(jìn)化1

名冢佳織

十年前，發(fā)生了震撼世界的重大事件“第一次愛之夏”。蘭頓失去了他的父親阿德洛克，現(xiàn)在已經(jīng)在邊境城鎮(zhèn)貝爾福雷斯特參加了塔州聯(lián)盟軍校。被稱贊為英雄的已故父親。什么都沒有的單調(diào)日常。蘭頓身邊的一切都很悶。但在蘭頓面前，世界上最古老的LFO尼爾瓦修突然出現(xiàn)。從駕駛艙出現(xiàn)的是優(yōu)萊卡。蘭頓和優(yōu)萊卡的旅程將在哪里結(jié)束？

情圣3

肖央,譚卓,喬杉,常遠(yuǎn),張小婉,代樂樂,艾倫,王成思,范湉湉,李思博,劉大鎖,馮滿,小沈陽,王迅,瑪瑙

　　一場信任危機(jī)，讓田紹基（肖央飾）和邵美珍（譚卓飾）本就平淡的婚姻生活再次雪上加霜，陰差陽錯下兩人整活兒不斷，花招不停，好兄弟甘火旺（喬杉飾）也來神助攻，“愛情三十六計”輪番登場！一連串好戲接連上演，情場大戰(zhàn)大爆笑！

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