廚師、大盜、他的太太和她的情人

7.9 播放:72萬 更新:2026-05-10

艾爾伯特 bull;斯畢卡(Michael Gambon 飾)及其爪牙敲詐勒索,無惡不作。到了晚上他便會帶著妻子和徒眾來到其所擁有的餐廳用餐,在這里艾爾伯特依然處于中心地位,他高談闊論、粗俗無理,蠻橫地統(tǒng)治者身邊的一切。妻子喬治娜(Helen Mirren 飾)對這個性無能卻兇殘暴力的丈夫敢怒不敢言,只得小心應(yīng)付然而幾次晚宴過后,喬治娜卻被旁邊桌上一個舉止儒雅的紳士所吸引,憑借廚師的穿針引線,她得以避過丈夫的耳目和情人約會。但私情總有敗露的一天  本片榮獲1991年芝加哥電影評論協(xié)會最佳外語片獎。   

即刻觀影

劇情賞析

艾爾伯特 bull;斯畢卡(Michael Gambon 飾)及其爪牙敲詐勒索,無惡不作。到了晚上他便會帶著妻子和徒眾來到其所擁有的餐廳用餐,在這里艾爾伯特依然處于中心地位,他高談闊論、粗俗無理,蠻橫地統(tǒng)治者身邊的一切。妻子喬治娜(Helen Mirren 飾)對這個性無能卻兇殘暴力的丈夫敢怒不敢言,只得小心應(yīng)付然而幾次晚宴過后,喬治娜卻被旁邊桌上一個舉止儒雅的紳士所吸引,憑借廚師的穿針引線,她得以避過丈夫的耳目和情人約會。但私情總有敗露的一天  本片榮獲1991年芝加哥電影評論協(xié)會最佳外語片獎。   

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薩沙·亞歷山大·吉爾薩克,亞歷山大·謝爾,Marie Rosa Tietjen,阿爾布雷希特·舒赫

  故事發(fā)生在1988年的德國,漢斯(薩沙·亞歷山大·吉爾薩克 Sascha Alexander Ger?ak 飾)和迪特(亞歷山大·吉爾 Alexander Scheer 飾)搶劫了位于北威州格拉德貝克的德意志銀行,并且劫持了兩名銀行職員作為人質(zhì),帶著他們一起踏上了逃往的旅途。  很快,負(fù)責(zé)此案的邁澤警探就展開了對于漢斯一行人的追捕。為了鉗制警方,漢斯的女友瑪麗昂(Marie Rosa Tietjen 飾)又劫持了一輛載有三十名乘客的公交車,來幫助男友脫離警方的追捕。因為歹徒手中的人質(zhì)數(shù)量眾多,導(dǎo)致德國警方遲遲無法下手,引來了輿論和媒體的不滿,與此同時,迪特在一次意外中射殺了年僅14歲的少年曼紐埃爾,這場死亡事件將整個故事推上了高潮。

DB

來自河北廊坊的說唱少年,王笑,因一次意外打架事件背負(fù)巨額欠款。王笑母親在不明真相的情況下替王笑支付了該筆欠款,王笑知道后和母親大吵一架并且決定前往北京打工還債。來到北京之后王笑接連租房受騙,感情受挫,說唱事業(yè)也無法繼續(xù)發(fā)展,而且再次欠下巨額欠款。王笑該如何面對這一切?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

我聘請了職業(yè)殺手

讓-皮埃爾·利奧德,Margi Clarke,肯尼斯·考利,T.R. Bowen,伊莫金·克萊爾

  在為公司勤勤懇懇工作了十五年之后,亨利(讓-皮埃爾·利奧德 Jean-Pierre Léaud 飾)卻落得了一個被解雇的悲慘下場。心中充滿憤懣的他在生活里也四處碰壁,絕望之中,他想到了自殺。可是,無論他使用什么法子,都無法成功赴死,就在這時,他在報紙上看到了一間聚集著黑道分子和殺手的小酒館,他決定去那里試一試。  亨利雇傭了一名殺手(肯尼斯·考利 Kenneth Colley 飾),讓他來取自己的性命,然而,在此之后,亨利意外的邂逅了名叫瑪格麗特(Margi Clarke 飾)的美麗賣花女孩,兩人迅速擦出愛情的火花。生命有了繼續(xù)下去的意義,亨利不想死了,然而,他卻怎么也找不到當(dāng)初和他簽訂了合約的殺手,這也就意味著,從此刻開始,他隨時都有可能遭到殺手的暗殺。

尸油降

卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????

  阿坤(卡文英瑪諾泰 飾)是個孤兒,由村里強大的薩滿萊穆養(yǎng)大。他受雇驅(qū)魔,卻偷偷進行黑魔法儀式,想提煉尸油賺錢迎娶心愛的女孩蘇伊,沒想到這觸怒了鬼魂、招致報復(fù)。此時蘇伊恰巧來找他,究竟阿坤能否以所學(xué)和信仰幫助自己和身邊的人死里逃生?

領(lǐng)養(yǎng)驚魂

約翰·庫薩克,蕾切爾·勒費夫爾,瑞恩·菲利普,路易斯·古茲曼,杰基·韋佛,伊莎貝拉·阿德里亞尼,Blas Diaz

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