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同款熱播
自殺俱樂部
Klariza Clayton ,Kate Lister,Adam NewingtonLocked in her flat for several years, a reclusive young woman stumbles upon a mysterious web community. According to an urban myth, the Suicide Club grants death to those wishing for it. Unless these "cyber suicides" are actually murders.
奇幻西游：新世界
許光漢,劉冠廷,庾澄慶,邵雨薇,庹宗華,鐘欣凌,魏如萱,許展榮,許展瑞未來世界，科技與數(shù)據(jù)主宰一切，當(dāng)舊城區(qū)變得又老又?jǐn)D，以最新科技打造的新世界，成為人人向往的移居地，然而唯有貢獻(xiàn)值最高的菁英，才有資格入住。八戒（許光漢 配音）又懶又自私當(dāng)然失格，但他為了讓奶奶（鐘欣凌 配音）過好日子，決定違背良心，與建商總裁牛魔王（庹宗華 配音）私下交易…… 影片將《西游記》搬到科幻場(chǎng)景，八戒化身賽博胖客，與理工男三藏（劉冠廷 配音）、火爆護(hù)衛(wèi)悟空（庾澄慶 配音）、女機(jī)器人小凈（邵雨薇 配音），穿梭新舊混雜市景，探索幸福真諦。
對(duì)魚的布道
拉納·阿斯加洛娃,奧爾汗·依斯干達(dá)里,侯賽因·納西羅夫達(dá)武德從戰(zhàn)爭(zhēng)中歸來，發(fā)現(xiàn)他村里的每個(gè)人都死于一種奇怪的疾病并且已經(jīng)腐爛。 他的妹妹是唯一的幸存者，也正在慢慢腐爛。 達(dá)武德被他作為一名士兵的記憶所困擾，因?yàn)樗媾R著唯一真正的問題：生存和生活一樣嗎？
兩張彩票
多里安·波古策,德拉戈什·布庫爾,亞歷山德魯-維克多·內(nèi)姆特亞努,諾拉·庫普辛庫,安迪·瓦斯盧亞努,尤安娜·弗洛倫蒂娜·迪米特流,米爾卡·巴努,伊萊亞斯·費(fèi)金,艾麗莎·卡林,伊琳娜·諾阿特斯,亞歷山德魯·帕帕多波爾,謝爾班·帕夫盧是由保羅·內(nèi)戈埃斯庫編劇執(zhí)導(dǎo)的一部羅馬尼亞喜劇片，主要講述了一個(gè)小城鎮(zhèn)的三名男子尋找遺失的彩票的過程中發(fā)生的有趣故事。迪奈勒是這個(gè)城鎮(zhèn)的一名修車工人，幸運(yùn)之神似乎從未光顧過他，因?yàn)樗目蛻艨偸菍?duì)他的活計(jì)不滿意、他的工資少到連酒都喝不起、就連他的妻子都因此離開了他。然而，有一天迪奈勒買彩票，意外中了大獎(jiǎng)，這讓他重新燃起了生活的希望。但他似乎高興過了頭，導(dǎo)致他丟失了那張彩票。于是迪奈勒和他的朋友思萊、帕皮里優(yōu)一起踏上了尋找彩票的旅程。
開放日
Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica CollinsA couple on the verge of a nasty divorce attempt to sell their empty love nest and move on with their lives, separately. After a successful open house they are horrified to discover, days later, that a potential buyer didn't leave their home. While Alice is being held captive in the basement, the unannounced house guest moves in upstairs. She senses her capture is being kept a rebellious secret. She knows her way only way out if she can only get out alive.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster