劇情縱覽
有三個(gè)朋友 Hilda, Matilda 和 Gaspar,周末,三個(gè)朋友Hilda, Matilda 和 Gaspar在意間市區(qū)破舊的公寓中相會(huì),喝酒、聊天,一起度過(guò)了一段愉快的時(shí)光 ...Filme de Amor (2003)
有三個(gè)朋友 Hilda, Matilda 和 Gaspar,周末,三個(gè)朋友Hilda, Matilda 和 Gaspar在意間市區(qū)破舊的公寓中相會(huì),喝酒、聊天,一起度過(guò)了一段愉快的時(shí)光 ...Filme de Amor (2003)
這部電影設(shè)定在18世紀(jì)的英格蘭,并“靈感來(lái)源”于真實(shí)事件,是一部關(guān)于宗教領(lǐng)袖安·李(Ann Lee)的“史詩(shī)寓言”,安·李是謝克教運(yùn)動(dòng)的創(chuàng)始人,且被她的追隨者宣稱(chēng)為“女性基督”。
瑪拉(裴淳華 Rosamund Pike 飾)經(jīng)營(yíng)著一家監(jiān)護(hù)人公司,她專(zhuān)門(mén)尋找身體情況欠佳同時(shí)又無(wú)依無(wú)靠的老年人下手,通過(guò)并不是那么合法的手段令自己成為他們的法定監(jiān)護(hù)人,將他們送進(jìn)療養(yǎng)院,之后便可接手和變賣(mài)他們的財(cái)產(chǎn)和房產(chǎn),再將所得據(jù)為己有?! ∧橙?,瑪拉將下一個(gè)“吞噬”的目標(biāo)放在了一位名叫珍妮弗(黛安娜·維斯特 Dianne Wiest 飾)的老太太身上,經(jīng)調(diào)查,珍妮弗沒(méi)有任何的親人,同時(shí)又擁有著價(jià)值不菲的遺產(chǎn),簡(jiǎn)直就是他們的最佳“肥羊”。在一番操作之后,珍妮弗被沒(méi)收手機(jī)關(guān)進(jìn)了療養(yǎng)院,但此時(shí)的瑪拉和她的戀人兼合伙人弗蘭(艾莎·岡薩雷斯 Eiza González 飾)并不知道的是,她們?nèi)巧狭艘粋€(gè)不該惹,也不能惹的人。
自從因?yàn)樘肿ゲ坏綋尫硕巧项^條,“阿康”和他三個(gè)朋友就成了泰國(guó)警界的恥辱。這四個(gè)胖警察必須在三個(gè)月內(nèi)甩掉肥肉,否則就會(huì)被懲處!當(dāng)美麗的尊巴舞教練“小敏”加入之后,訓(xùn)練變得令人興奮。然而,搶案持續(xù)發(fā)生,一臺(tái)銀行運(yùn)鈔車(chē)被搶后損失慘重,歹徒卻沒(méi)有留下任何線索。四位警探必須在塑身的同時(shí)偵查犯罪,減肥期限將近,但犯案之謎卻仍未解開(kāi)。這幾個(gè)超大條的家伙,要如何保住他們的飯碗呢?
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.