劇情簡(jiǎn)介
一對(duì)姐妹住在一起，互為鄰居，姐姐的丈夫隨著結(jié)婚越來越久，對(duì)姐姐失去性趣，姐姐不管怎么賣弄風(fēng)騷都無法挑逗成功，偶然一天姐姐在網(wǎng)上看到一種能讓男人重振雄風(fēng)的藥酒，想買卻遭到了妹妹的阻撓，稱其為廣告騙子，而妹妹卻偷偷買來給自己的男人喝，喝后果然威猛無比，而姐姐的丈夫外出吃飯時(shí)，遇到一位風(fēng)騷的女老板，而女老板正好也給他來了一壺廣告中的藥酒.....
為你推薦
他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結(jié)實(shí),三浦健人,青木さやか,大倉空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出來事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫畫の舞臺(tái)を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの戀人?メグミを?qū)铯荬袱搿?/p>
吸血獵手
科里·費(fèi)爾德曼,馬爾科姆·麥克道威爾,魯格·豪爾,布魯斯·戴維森,迪恩·S·賈格爾,Richard Wagner,費(fèi)爾南達(dá)·羅梅羅,Patrick Brennan,Chris Pardal,托馬斯·瓊斯,Lovake Heyer,金貝里·皮特森,Elizabeth Greer,霍莉·林奇,考特尼·蓋恩斯,薩姆·魯克,Clementine Heath, 金佰利·道格爾迪,Shafik N. BahouA rogue police detective in search of his parents killer is murdered and reborn the ultimate killer.
校園鬼
韓藝璃,金花雨,申智秀,樸元尚,李鐘碩1）因和同學(xué)打賭賭輸，樸貞元、云貞等三個(gè)女孩被迫潛入傳說中鬧鬼的廢棄校舍內(nèi)探險(xiǎn)。她們戰(zhàn)戰(zhàn)兢兢、心慌意亂，鬧出不少自己嚇自己的笑話。然而，女孩們的吵鬧驚動(dòng)了此前曾死在這里的一個(gè)女孩的怨靈，她似乎有意將這三個(gè)冒失的闖入者留在這里?！ ?）圓圓和齊齊是一對(duì)情同姐妹的好朋友，但是她們的友情正受到嚴(yán)峻的考驗(yàn)。她們同時(shí)喜歡上帥氣的學(xué)生會(huì)主席，也因成績(jī)優(yōu)秀將共同角逐校長(zhǎng)的推薦升學(xué)資格。一切朝著不可預(yù)測(cè)的方向發(fā)展。 3）高中男孩具有敏感體質(zhì)，他能看到周圍的鬼魂。他在教室中被一個(gè)少女的鬼魂纏上，女孩死于非命，而殺害她的兇手的鬼魂不久也尾隨前來……
137號(hào)案件
蕾雅·德呂蓋,帕斯卡·桑格拉,克萊爾·博德森,朱利安·利蒂,佛羅倫斯·維亞拉,海倫·亞歷山德里迪斯,Solan Machado Graner,安東尼婭·布雷西,杰納維夫·馬尼奇,Christian Sinniger,Sandra Colombo,C?me Péronnet,瓦倫丁·坎帕涅,Mathilde Riu,雅尼克·莫澤爾,古斯拉姬·馬蘭達(dá),戈捷·巴圖埃,Laurent Bozzi,亞歷珊德拉·耶爾馬克,斯蒂文·德里森「為什么大家討厭警察？」男孩詢問母親。身為警察的史黛芬妮，負(fù)責(zé)的卻是警察暴力與失職案件調(diào)查。2018年，一名青年隨親友來到巴黎參與街頭抗議，卻因警方開槍，導(dǎo)致永久性腦部損傷。家人提出指控，警方卻矢口否認(rèn)，關(guān)鍵證據(jù)亦是不足。內(nèi)外壓力夾攻之下，史黛芬妮仍奮力調(diào)查，調(diào)閱攝像頭比對(duì)、還原警員動(dòng)線，越逼近真相之際，同僚的敵意也越發(fā)強(qiáng)烈??
獵局反轉(zhuǎn)
弗蘭克·格里羅,歐嘉·柯瑞蘭寇,奧利弗·特雷韋納,蘭達(dá),Vladislav Lapidus,Lacy McClory,Emilija Matic這張照片講述了一對(duì)絕望的夫婦，他們?yōu)榱藘斶€暴徒的債務(wù)，進(jìn)行了一系列高端入室盜竊。當(dāng)他們?cè)噲D搶劫最近的受害者時(shí)，他們發(fā)現(xiàn)自己陷入了一場(chǎng)致命的貓捉老鼠游戲，桌子被翻轉(zhuǎn)，獵人成為獵物。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
南方時(shí)光
陳玄力,吳慷仁,孫淑媚,黃迪揚(yáng),謝以樂,蘇韋華,黃工蕓,朱俐安,鄭有杰小洲總是背著父親薛大隊(duì)長(zhǎng)在學(xué)校調(diào)皮搗蛋，這次跟死黨小馬與胖雄又闖禍了，訓(xùn)導(dǎo)主任牛頭于是一狀告到薛大隊(duì)長(zhǎng)那里。父親將小洲痛責(zé)，更在他書包里搜出小馬的香煙，為此又將小洲嚴(yán)懲。小洲含冤受屈后憤而出走，心中更暗盼父親可以從這個(gè)家消失；沒想到當(dāng)晚從對(duì)岸發(fā)射的兩顆導(dǎo)彈竟令小洲如愿，薛大隊(duì)長(zhǎng)必須離家往前線去。父親不在家，小洲與小馬、胖雄的行動(dòng)更肆無忌憚，卻因此而惹上學(xué)校的小霸王大毛。小洲為對(duì)抗大毛，求助于國宅幫的少年頭頭A 司；A 司答應(yīng)幫忙，卻要三人付保護(hù)費(fèi)。 三人夾在大毛與 A 司之間，飽受兩方威脅。這時(shí)臺(tái)灣面臨戰(zhàn)爭(zhēng)邊緣，股票大跌，總統(tǒng)直選在即，民間吹起移民潮。1996 年的南方時(shí)光，紛擾躁動(dòng)，回想起來令人惘然。