他們是在玩火

評(píng)分：5.4 播放：81萬 更新：2026-05-15
主演： Howard/Avedis/

They"re Playing with Fire (1984)關(guān)于師生戀題材的影片，一句話描述為：欲火玩正歡，禁臠味最艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。已婚大學(xué)教授西比爾催討決定去勾引她的學(xué)生，被她雇了一個(gè)勤雜工，她的游艇。猶豫不決的學(xué)生屈從于他的體態(tài)豐滿的教授，但他們的戀情是由她丈夫的精心設(shè)計(jì)的 hellip; hellip;

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心中的惡魔

Fernanda Andrade,Simon Quarterman,Evan Helmuth,Ionut Grama,Suzan Crowley

　　1989年的寂靜深夜，南哈特福特三名神職人員遭到屠殺。行兇者名叫瑪莉婭·羅西（蘇珊·克蘿蕾 Suzan Crowley 飾），事后被診斷體內(nèi)藏有七重人格。在此后的歲月里，她被帶往意大利驅(qū)魔。時(shí)隔20年，瑪莉婭的女兒伊莎貝拉·羅西（費(fèi)爾南達(dá)·安德拉德 Fernanda Andrade 飾）決定拍攝一部關(guān)于母親的紀(jì)錄片，她啟程前往羅馬，見到了久違的母親，而瑪莉婭所說的話令她頗為震驚。為了探明母親的病因，她在當(dāng)?shù)卣业搅藘晌徊m著教會(huì)偷偷進(jìn)行驅(qū)魔的教士年輕驅(qū)魔師（賽門·克特曼 Simon Quarterman 與 伊凡·海慕特 Evan Helmuth 飾）。在他們的努力下，瑪莉婭體內(nèi)的魔鬼們漸漸顯現(xiàn)出來……　　本片榮獲2012年BMI電影與電視獎(jiǎng)最佳電影配樂獎(jiǎng)。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

悄然之星

神樂坂惠,遠(yuǎn)藤賢司,池田優(yōu)斗,森康子

　　無數(shù)次的災(zāi)難與戰(zhàn)爭，讓人類的數(shù)量銳減，似乎也因此使得宇宙變得更加寧靜。而今人工智能機(jī)器人已在宇宙間占有絕對(duì)的統(tǒng)治地位，人類卻只有兩成左右。雖然科學(xué)極大進(jìn)步，可惜人類無法突破壽命的百年限定，他們匆匆而來，默默而終，不知不覺走向滅亡。　　帶有濃重昭和氣息的宇宙飛船中，生活著編號(hào)為722的人形機(jī)器人鈴木洋子（神樂坂惠 飾）。她與AI機(jī)器人相伴，永遠(yuǎn)奔波在漫長的宇宙旅途中。她的日常百無聊賴，洗衣服、縫扣子、剪指甲、打掃衛(wèi)生，孤獨(dú)與靜寂永無止境。洋子是一名宇宙快遞員，她所投遞的貨物卻都是些看似無關(guān)緊要的小物件。每次投遞需要花費(fèi)數(shù)年時(shí)間，縱使瞬間旅行已成可能，不過她卻似乎有什么理由消磨這漫長的時(shí)光。一顆孤獨(dú)的星球上，仿佛被全宇宙所遺忘的人類，在破敗的街道上等待著遠(yuǎn)方的造訪……

身在其中

艾莉森·帕拉迪絲,Jean-Baptiste Tabourin,Claude Lulé,Dominique Frot,娜莎麗·羅賽,Fran?ois-Régis Marchasson,碧翠斯·黛爾,Hyam Zaytoun,塔哈·拉希姆,Emmanuel Guez,盧德維克·伯特希爾克,Emmanuel Lanzi,尼古拉斯·迪佛休爾,艾曼·賽義迪

　　女性攝影師莎拉（Alysson Paradis 飾）和馬西歐（Jean-Baptiste Tabourin 飾）這對(duì)幸福的夫妻組成的小家庭即將迎來新的成員，但一場嚴(yán)重的車禍摧毀了他們美好的憧憬。馬西歐在車禍中喪生，莎拉以及未出世的寶寶僥幸存活?！　∈フQ之夜，孤獨(dú)的莎拉待在家中，等待第二天早晨的生產(chǎn)。這時(shí)敲門聲響起，一名黑衣女（Béatrice Dalle 飾）請(qǐng)求使用電話。莎拉本能地拒絕了她，誰知黑衣女竟千方百計(jì)想要闖進(jìn)來。她的目的只有一個(gè)，搶奪莎拉那尚未出世的孩子。擋路者只有死路一條……