赤裸地帶

 派拉蒙和尼克宣布“降世神通”系列開發(fā)三部新的電影，仍是動畫形式。第一部由《降世神通：最后的氣宗》導(dǎo)演Lauren Montgomery執(zhí)導(dǎo)，《最后的氣宗》主創(chuàng)Bryan Konietzko和Michael DiMartino擔(dān)任制片人。

在美國陸軍游騎兵選拔的最后階段，一支精英團(tuán)隊的訓(xùn)練演習(xí)變成了與一種難以想象的威脅之間的生存之戰(zhàn)。

當(dāng)一位作曲家的任務(wù)是完成她已故導(dǎo)師的協(xié)奏曲時，她很快發(fā)現(xiàn)演奏音樂會帶來致命的后果，這讓她發(fā)現(xiàn)了旋律的令人不安的起源和已經(jīng)覺醒的邪惡。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster