愛情插班生
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuanSchool's out...But Bobby's education has just begun. Bobby has had trouble with French at school and so his rich parents hire a winsome 30-year-old tutor to help him with the first subject. The father is not exactly subtle about his interest in the tutor, but the woman prefers his much more sensitive son.
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像我這樣的愛情
廖子妤,陳家樂,劉雅麗,楊淇,劉若寶,林芷沿我們這樣，是愛嗎？阿妹天生患有腦性麻痹，性格卻異常跳脫樂觀，閑時會約朋友踩板吹水，畫畫作樂，二十多年來一直努力不被身體耽誤?？墒沁^度保護(hù)的母親堅決安排她進(jìn)行子宮切除手術(shù)，阿妹努力建立的生活再次失去平衡，她的身體永遠(yuǎn)是不由自主的。在朋友推薦下，阿妹找到了一個專為殘疾人士提供性服務(wù)的自發(fā)組織，并認(rèn)識了義工Ken。這無私的相遇仿佛撫慰了兩個受傷的靈魂，那日漸累積的情愫沖淡了道德與身體的羈絆，這樣的關(guān)系，是愛嗎？ 譚惠貞繼《以青春的名義》（第14屆開幕電影）后第二部長片作品，將愛情元素和身障者性權(quán)益議題融合，成就一個道德探索與自我尋找的故事。
副總統(tǒng)
克里斯蒂安·貝爾,艾米·亞當(dāng)斯,史蒂夫·卡瑞爾,山姆·洛克威爾,娜奧米·沃茨,艾麗森·皮爾,埃迪·馬森,賈斯汀·柯克,麗莎蓋伊·漢密爾頓,杰西·普萊蒙,比爾·坎普,唐·麥克馬納斯,莉莉·拉貝,謝伊·惠格姆,斯蒂芬·阿德利·葛爾蓋,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,馬修·雅各布斯曾拍《大空頭》（The Big Short）聚焦美國次貸危機的導(dǎo)演亞當(dāng)·邁凱（Adam McKay）日前與派拉蒙簽約，將導(dǎo)演一部講述美國前副總統(tǒng)迪克·切尼（Dick Cheney）故事的傳記片。而布拉德·皮特的“B計劃”制片公司也將繼《點球成金》、《大空頭》后再次與邁凱合作，制作這部電影。迪克·切尼號稱是美國歷史上最有權(quán)勢的副總統(tǒng)，他也是現(xiàn)任美國副總統(tǒng)彭斯（Mike Pence）的效仿對象。布什當(dāng)政八年時間里，表面上切尼是美國的二號人物，但實際上小布什總統(tǒng)（George W. Bush）的很多決定，包括阿富汗戰(zhàn)爭、入侵伊拉克等都是由他定奪的。切尼本人是一個充滿爭議的矛盾體。他一直都是保守黨派，曾為尼克松、福特、老布什政府做過幕僚，后進(jìn)入哈利伯頓公司當(dāng)了幾年CEO，然后和小布什一起入主白宮；但他對于同性戀婚姻卻持支持態(tài)度，因為他的女兒是一名女同性戀。此外，切尼五次拖延不愿去越戰(zhàn)戰(zhàn)場，卻是個不折不扣的主戰(zhàn)鷹派。亞當(dāng)·邁凱說：“我一直覺得切尼是個有意思的人物，很想搞清楚究竟是什么在驅(qū)動他、他到底信仰什么。所以我們就做了深挖調(diào)查，結(jié)果令人震驚，切尼堪稱是美國現(xiàn)代史上最有權(quán)力的政治人物，他在很大程度上塑造了美國現(xiàn)在的國際地位，而他為了攫取權(quán)力所采取的方式也令人瞠目結(jié)舌。”亞當(dāng)·邁凱希望能在2017年春拍攝本片，并在年底上映。目前他正在物色合適的演員人選。亞當(dāng)·邁凱拍攝《切尼傳》，意味著他之前接手的《壞血》（Bad Blood）項目要往后推遲了。
尋愛之旅
麥克·辛,馬克·阿蒂,吉姆·卡特,馬克·斯特朗熱愛射飛鏢的柯林看店為業(yè)，為了贏回紅杏出牆的妻子芳心，他跳脫常軌，離開熟悉的故鄉(xiāng)，橫越全國。當(dāng)他經(jīng)過美麗的高山地區(qū)，來到碎石嶙嶙的黑池時，連著遇到一些人和事，改變了他的新生活。是一部好笑又非常人性的影片。
箱男
永瀨正敏,淺野忠信,佐藤浩市,白本彩奈,澀川清彥,中村優(yōu)子,川瀨陽太這部1973年的小說由安部公房創(chuàng)作，講述了一位無名男子放棄自己的身份，頭頂一個大紙箱生活的故事。在東京街頭游蕩時，他遇到了各種各樣的人物。
柏林綜合癥
泰莉莎·帕爾墨,馬克思·雷邁特,馬蒂亞斯·哈比希,艾瑪·巴丁,艾爾邁拉·拜赫爾米,克里斯托夫·弗蘭肯,露西·阿倫,納西姆·阿瓦特,馬琳·斯特芬,圖索·勒克維,拉拉·瑪麗·繆勒,瑪雅·阿布斯貝格澳大利亞攝影記者克萊爾（泰莉莎·帕爾墨 Teresa Palmer 飾）在柏林度假時邂逅了當(dāng)?shù)啬凶影驳希R克思·雷邁特 Max Riemelt 飾），一見鐘情的兩人共度春宵，激情過后意想不到的危險來臨，克萊爾醒來時發(fā)現(xiàn)自己被安迪反鎖在家中，而安迪似乎并不打算讓她離開……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.