艷降勾魂

遇見惡魔

塞繆爾·杰克遜,萊絲莉·比伯,盧克·威爾遜,佩頓·利斯特,翠茜·索姆斯,李·瑞恩

　　曾經(jīng)的約翰（盧克·威爾遜 Luke Wilson 飾）是一名風光無限的商人，偌大的豪宅，漂亮的妻子，可愛的女兒，當金融危機爆發(fā)之時，約翰所擁有的這令人羨慕的一切都在轉(zhuǎn)瞬間成為了巨大的負擔，他和妻子之間原本美滿的感情也產(chǎn)生了裂痕?！　〗?jīng)歷了糟糕的一天后，約翰拖著疲憊的身軀回到家，這時，一個名叫里奇（塞繆爾·杰克遜 Samuel L. Jackson 飾）的陌生人攔住了約翰，希望得到他的幫助。讓約翰沒有想到的是，里奇竟然是一名殺手，可是，里奇卻并沒有殺死約翰，正相反，在莫名其妙之中，約翰和里奇一同踏上了一段充滿了鮮血和殺戮的恐怖旅程。隨著時間的推移，約翰漸漸開始懷疑，他和里奇之間的相遇究竟是偶然還是必然。

判決2025

里羅·得萬托,禮薩·拉哈迪安

Raka, a court security officer, and his pregnant wife, Nina, celebrate her success in passing the bar exam. While they have a rare evening of fine dining to savor the moment, their joyous celebration is shattered when Nina is found brutally murdered. The investigation quickly identifies Dika as the prime suspect, leading to his swift arrest. However, with the support of a shrewd and manipulative lawyer, Timo, the trial takes an unexpected turn that Raka could never have anticipated. As the trial spirals towards an unjust outcome, Raka resolves to overturn the corrupt verdict and seek justice for his late wife.

猿山異聞錄

袁福福,王培祎,王青,王純,邵峰,付宏聲,盧勇,何承熹,宋建霖

據(jù)傳聞，古時候有座山叫猿猴山，猿猴山有一國，名為猿國。猿國有一罕見白猿，猿國尊護白猿為神，稱“猿神”，百姓日夜供奉，祈求平安。近日，有傳言說“猿神”暴怒，不會再庇護猿國了，國主才會久病不起，導(dǎo)致猿國上下人心惶惶。為了穩(wěn)定民心，猿國國主請求太極村掌門延一道人幫助猿國調(diào)查傳言真相，讓百姓心安。延一道人派遣弟子玄城前往猿國協(xié)助，探尋背后真相。

情棺

劉尚麟

摸金校尉白術(shù)為拯救被逼與丞相之子秦庭至配陰婚的意中人蘇青，決定進行招魂儀式，卻未曾想三人徹底陷入陰婚詛咒，身困三生三世的虐戀糾纏……

鏢人：風起大漠

吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平

 大漠之上，鏢人、官府、西域五大家族等多方勢力盤根錯節(jié)、暗潮涌動?！疤熳值诙柼臃浮钡恶R接下特殊押鏢任務(wù)，和同伴一起從西域護鏢遠赴長安。不料，他們的護送對象竟是“天字第一號逃犯”知世郎……天下熙熙皆為利來，各方勢力聞風入局，搶鏢廝殺接連上演……

洛桑的家事

金巴,扎西,加華草,更旦,居瓊欽

　　洛桑的三歲孫女央金被酒后駕駛拖拉機的豆拉伽撞成了高位截癱，由此引發(fā)了三個家庭的矛盾，最后和解，實現(xiàn)了信仰與法律的相輔相成。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.