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摩根·弗里曼,莫妮卡·波特,邁克爾·維克特,迪倫·貝克,米卡·波瑞姆,安東·葉利欽,金·霍桑,杰伊·桑德斯,比利·伯克,邁克爾·莫里亞蒂,佩內(nèi)洛普·安·米勒,安娜·瑪利亞·霍斯福德,克里斯托弗·謝爾亞歷克斯（摩根·弗里曼 Morgan Freeman 飾）是一名資歷豐富的警探，這一次，他被派遣負(fù)責(zé)國(guó)會(huì)議員女兒被綁架一案。杰姬（莫妮卡·波特 Monica Potter 飾）是負(fù)責(zé)保護(hù)被綁架女孩安全的特工，正為了自己的疏忽和失職自責(zé)不已，趁此機(jī)會(huì)，她強(qiáng)烈要求成為亞歷克斯的搭檔，一同偵破此案?！ ‰S著調(diào)查的深入，一個(gè)名為加里（邁克爾·溫科特 Michael Wincott 飾）的男人浮出了水面，除了綁架了議員的女兒，他還和城中發(fā)生的數(shù)起綁架案有著千絲萬(wàn)縷的聯(lián)系。亞歷克斯和杰姬隨即展開(kāi)了歲加里的追捕，然而，老奸巨猾的加里并不會(huì)輕易的被警方捕獲，恰恰相反，在不知不覺(jué)間，亞歷克斯走入了加里所設(shè)下的彌天陷阱之中。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
世界末日2022
安妮·海瑟薇,杰瑞米·斯特朗,安東尼·霍普金斯,杰西卡·查斯坦,多米尼克·隆巴多茲,托芙·菲爾德舒,瑪西婭·讓·庫(kù)爾茨,泰迪·庫(kù)盧卡,邁克爾·班克斯,安德魯·波爾克世界末日是一部非常個(gè)人化的電影，展示了家庭的力量和一代人對(duì)美國(guó)夢(mèng)的追求
昭和殘俠傳：唐獅子仁義
高倉(cāng)健,藤純子,池部良,待田京介,小林千枝,志村喬風(fēng)間重吉は花田秀次郎との果たし合いで左腕を失った。出所した秀次郎は林田一家の世話になる。樺島一家は採(cǎi)石の入札をめぐって林田と老舗“淺野屋“を圧迫していた。樺島の客人となった風(fēng)間は、秀次郎に果たし狀を渡すが、女房が兇弾に倒れ、秀次郎とともに死地に向かう。
藍(lán)調(diào)天后
維奧拉·戴維斯,查德維克·博斯曼,科爾曼·多明戈,格林·特魯曼,邁克爾·波茨,杰里米·薩默斯,約翰尼·科瓦內(nèi),泰勒·佩奇,杜山·布朗,約書(shū)亞·哈爾托,奎因·范安特衛(wèi)普,克洛伊·戴維斯,梅特·納塔利奧,約翰娜·埃爾米納·莫伊茲,Onyxx Noel,詹姆斯·西耶斯基,威廉·卡尼亞20世紀(jì)20 年代，在芝加哥的一場(chǎng)午后錄音中，樂(lè)隊(duì)成員們正在等待開(kāi)拓性的表演者、傳奇的“藍(lán)調(diào)之母”瑪·雷尼（奧斯卡金像獎(jiǎng)得主維奧拉·戴維斯飾），其間氣氛變得愈發(fā)緊張。錄音進(jìn)行到后期時(shí)，無(wú)畏又脾氣火爆的瑪和其白人經(jīng)紀(jì)人及制作人就她的音樂(lè)控制權(quán)展開(kāi)了一場(chǎng)意志的較量。雄心勃勃的小號(hào)手列維（查德維克·博斯曼飾）非常欣賞瑪?shù)呐笥?，并決心在音樂(lè)行業(yè)中占有一席之地，當(dāng)樂(lè)隊(duì)在工作室幽閉的排演室中等待時(shí)，他促使樂(lè)手們爆出揭露真相的故事，這將永遠(yuǎn)改變他們的生活?！端{(lán)調(diào)天后》根據(jù)兩次普利策獎(jiǎng)得主奧古斯特·威爾遜的戲劇改編而成，歌頌了藍(lán)調(diào)的變革力量以及那些拒絕讓社會(huì)偏見(jiàn)左右自己價(jià)值的藝術(shù)家。該電影由喬治·烏爾夫執(zhí)導(dǎo)，魯本·桑地亞哥-哈德森進(jìn)行劇本改編，憑借《藩籬》榮獲奧斯卡獎(jiǎng)提名的丹澤爾·華盛頓和托德·布萊克擔(dān)任制片人?？茽柭ざ嗝鞲辍⒏窳帧ぬ佤斅?、邁克爾·波茨、泰勒·佩姬、杜山·布朗擔(dān)任聯(lián)合主演，艾美獎(jiǎng)得主布蘭福德·馬薩利斯進(jìn)行配樂(lè)。
血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強(qiáng),劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書(shū)維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應(yīng)朗豐,李銓棠家一脈花開(kāi)，將軍身故，棠夫人站在家族宗法寶塔上，也就立足彌陀鄉(xiāng)政治的頂端。黑白兩道，茶盞交錯(cuò)之間，玲瓏心，剔透眼，柔軟身段，霹靂手段，女人天下。大女兒棠寧玲瓏八面，卻懷一股心思幽微，小女兒棠真乖巧聽(tīng)話，學(xué)著繼承泡茶待客之道，隨棠夫人簾后織手暗操線，青春初豐滿的羽翼，能如何擔(dān)起腥風(fēng)血雨？棠家牽線的土地開(kāi)發(fā)計(jì)劃出現(xiàn)變數(shù)，好友議員一家遭滅門(mén)慘案，以血掀變，彌陀鄉(xiāng)勢(shì)力重新洗牌，暗潮涌動(dòng)，臺(tái)北二十年，大家深宅三代女人，千手染血的觀音，骨與血，治與亂，情欲與權(quán)力層層密謀穿織。