母親的情人2

失去妻子后，沒有靈魂地生活的童話作家趙容熙。他只要去妻子畫畫的房間，就會出現(xiàn)過度呼吸的癥狀，很久沒進過那個房間了。但是從某一天開始，那個房間里開始傳來奇怪的聲音。鼓起勇氣打開房門的龍熙。妻子房間的天花板漏水，住著在仁偷偷藏起來的小貓。在仁拜托我養(yǎng)貓，雪上加霜的是，來修理天花板的木匠哈羅恩提議把閑置的房間變成貓的房間…龍熙究竟會做出什么選擇？

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　一位單身母親需要工作，一個滑雪度假村需要圣誕老人。泰勒假扮成圣誕老人，她能否騙過迷人的酒店繼承人，拿到這份工作？

故事舞臺設于云上天空王國。當王子從天空王國墜入陰雨連綿的角落小鎮(zhèn)，救助王子的角落小伙伴們得知云上世界陷入嚴重水危機，為拯救王國展開冒險。