天邊一朵云2005

? 8.0 播放：43萬 2026-05-13
主演： 蔡明亮/

　故事延續(xù)《天橋不見了》。已是A片男主角的小康（李康生）每日在導演的安排下，與不會激發(fā)其任何情欲的過氣AV女優(yōu)做各種畸形的性愛，麻木得猶如機器人。湘琪（陳湘琪）則因臺北的干旱缺水，每日如蔫茄子般無精打采。兩人偶遇后，方知現(xiàn)住在同一棟樓里，某種久違的曖昧氣息重回彼此體內(nèi)。 

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? 播放 天邊一朵云2005

劇情提要

　故事延續(xù)《天橋不見了》。已是A片男主角的小康（李康生）每日在導演的安排下，與不會激發(fā)其任何情欲的過氣AV女優(yōu)做各種畸形的性愛，麻木得猶如機器人。湘琪（陳湘琪）則因臺北的干旱缺水，每日如蔫茄子般無精打采。兩人偶遇后，方知現(xiàn)住在同一棟樓里，某種久違的曖昧氣息重回彼此體內(nèi)。 

暗夜精選

網(wǎng)絡迷宮

克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡

星河戰(zhàn)隊3：掠奪者

卡斯帕·范·迪恩,喬琳納·布拉洛克,斯蒂芬·霍根,波瑞斯·科喬,阿曼達·多諾休,瑪內(nèi)特·帕特森,斯特里奧·薩萬特,坦婭·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法爾考,史蒂芬·詹寧斯,Rob Vega,格蘭特·斯旺比,Damon Berry,喬·瓦茲,卡爾·桑寧,蒂龍·基奧,凱文·奧托,勞倫·麥格雷,Tarryn Page,邦戈·姆布圖馬,科里·伯頓,凱瑟琳·奧克森伯格

魔力，魔力

艾米莉·布朗寧,邁克爾·塞拉,朱諾·坦普爾,卡塔琳娜·桑地諾·莫雷諾,阿古斯丁·席爾瓦

借口公司

菲利普·拉肖,艾洛蒂·豐唐,朱利安·阿魯?shù)?塔雷克·布達里,迪迪?！げ紶枛|,納塔莉·貝伊,娜威爾·瑪達尼,梅迪·薩東,樊尚·德扎尼亞,愛麗絲·杜富爾,菲利普·杜克斯納,米歇爾·拉羅克,凱德·麥拉德,薩米·納塞利,喬·普雷斯蒂亞,諾曼·塔沃,喬伊·斯塔爾

新狂蟒之災

保羅·路德,杰克·布萊克,史蒂夫·扎恩,坦迪·牛頓,艾斯·庫珀,丹妮拉·曼希沃,艾農(nóng)·斯凱,本·勞森,賽爾頓·梅羅,Renee Herbert,婭絲明·卡西姆,Aimee Bah,塞巴斯蒂安·瑟羅,Jack Waters,Diego Arnary,Cal Rein,Matt Aristizabal,胡依·西卡多·吉亞斯,Romeo Ellard,Reagan George

獵局反轉(zhuǎn)

弗蘭克·格里羅,歐嘉·柯瑞蘭寇,奧利弗·特雷韋納,蘭達,Vladislav Lapidus,Lacy McClory,Emilija Matic

全職

勞爾·卡拉米,安妮·蘇亞雷斯,杰納維夫·馬尼奇,Nolan Arizmendi,Sasha Lemaitre Cremaschi,西里爾·蓋伊,露西·加洛,Agathe Dronne,瑪?shù)贍柕隆ろf爾,Dana Fiaque,Mareme N'Diaye,奧利維爾·法利茲,伊琳娜·穆雷勒,Aymeline Alix,Karimouche,Evelyne El Garby Kla?,Céline Perra,Nazareth Agopian,法布里斯·阿夫拉姆,Olivier Hardoui

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

上身

　　同居男友許一恒遭遇事業(yè)難關(guān)，此時女友成心不但發(fā)現(xiàn)自己懷了孕，還獲知許一恒跟閨蜜馬可好上了，而馬可家境殷實，能夠幫助他渡過絕境。成心因為深愛，選擇成全，離開許一恒，并做了人流手術(shù)，不料這胎兒竟成了“嬰靈”點點。后來點點決定“帶走”成心，慧化大師用佛法感化點點，并將其“交給了佛”。不久成心再受邪祟之擾，點點冒險回來搭救，也還原了真相……借此告誡切莫輕易墮胎，佛門有曰“五逆重罪”，墮胎必是冤孽。