劇情簡(jiǎn)介
孝石和俊圭是一家公司的同事。身材性感的職場(chǎng)女前輩YURA一喝酒就醉倒。但是YURA即使喝醉了倒下，也不允許最后的關(guān)系，在愛(ài)撫中結(jié)束。孝石和俊圭推測(cè)YURA肯定是因?yàn)樗翘幣詻](méi)有經(jīng)驗(yàn)所以會(huì)這樣，互相安慰對(duì)方的時(shí)候會(huì)打賭誰(shuí)會(huì)先和YURA做愛(ài)...這天，女前輩YURA和他們一起喝酒，究竟誰(shuí)能先和胸大性感的鐵壁女YURA發(fā)生關(guān)系呢？
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亂馬12：決戰(zhàn)桃源鄉(xiāng)！奪回新娘子！！
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黑色城堡
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嗜血族
Daut Shaikislamov,Syrym Kashkabayev,Kilishbek Kasimbekov,Asan Mazhit自古以來(lái)，民間就流傳著關(guān)於黑暗精靈澤斯蒂爾納克的傳說(shuō)。這些神話(huà)生物擁有修長(zhǎng)的利爪和非人的力量，以人類(lèi)血液為食。如今，已無(wú)人相信他們的存在，但他們?nèi)耘f生活在我們之中。米拉斯是來(lái)自阿拉木圖的一個(gè)普通年輕人，卻被美麗又成功的女孩艾娜愛(ài)上。米拉斯的父母樂(lè)見(jiàn)兒子攀上這門(mén)好親事，並樂(lè)意與艾娜富有的家庭結(jié)為親家。然而，他們卻不知道，新親家那棟豪華宅邸的門(mén)後，隱藏著什麼樣的驚人祕(mì)密。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
第六日
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沖破鐵幕
保羅·紐曼,朱莉·安德魯斯,麗拉·柯卓娃,漢斯約格·費(fèi)爾麥邁克爾（保羅·紐曼 Paul Newman 飾）是一位非常優(yōu)秀的火箭科學(xué)家，同時(shí)也是國(guó)家重點(diǎn)保護(hù)的珍貴人才。莎拉（朱麗·安德魯斯 Julie Andrews 飾）是邁克爾的助手，同時(shí)也是他的未婚妻，某日，兩人共同前往哥本哈根，去參加在那里舉辦的研討會(huì)?！ ≡诟绫竟娜兆永?，邁克爾的行為舉止表現(xiàn)的非常的怪異，就連向來(lái)能夠理解他的莎拉都感到百思不得其解，他的所有詭異行為只有一個(gè)解釋?zhuān)蔷褪撬撑炎约旱膰?guó)家，逃往東德。為了弄清楚事情的真相，莎拉開(kāi)始了對(duì)于邁克爾的調(diào)查，哪知道最終，莎拉選擇了和邁克爾一起叛逃。這對(duì)夫妻的行為背后，有著不為人知的目的。