三頭獸

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

1939年繁昌保衛(wèi)戰(zhàn)，新四軍排長(zhǎng)朱振率隊(duì)護(hù)送握有日軍南京暴行證據(jù)與作戰(zhàn)計(jì)劃的記者陸瑛。遭日軍圍追堵截，隊(duì)員接連犧牲，歷經(jīng)雪原伏擊、山洞激戰(zhàn)等生死考驗(yàn)，最終朱振殉國(guó)，陸瑛成功送證，助新四軍獲勝，日軍罪行曝光。

　　A journalist who writes about a notorious serial killer, Finster, leaves the city for a more peaceful life but soon learns violence has no boundaries.

　　當(dāng)Claire的女兒在一次瀕死體驗(yàn)后表現(xiàn)出越來(lái)越令人不安的行為時(shí)，她開(kāi)始相信自己的女兒把邪惡的東西從另一個(gè)世界帶回來(lái)了。