美人記·昭君

6.4 播放:08萬 更新:2026-05-11
主演:劉音 張明磊 孫海鴿 

為尋求哥哥叛變投敵真相,秀女王昭君主動請嫁匈奴單于呼韓邪,只身前往大漠。在追求個人愛情幸福與維系胡漢和平大局的抉擇面前,身為和親使者的王昭君毅然以庶母身份再嫁復(fù)株累,續(xù)寫了中華民族團(tuán)結(jié)史上的一段傳奇。

播放通道

詳細(xì)簡介

為尋求哥哥叛變投敵真相,秀女王昭君主動請嫁匈奴單于呼韓邪,只身前往大漠。在追求個人愛情幸福與維系胡漢和平大局的抉擇面前,身為和親使者的王昭君毅然以庶母身份再嫁復(fù)株累,續(xù)寫了中華民族團(tuán)結(jié)史上的一段傳奇。

同類推薦

天啟Z:完結(jié)的起點(diǎn)

何塞·馬利亞·亞茲皮克,貝塔·巴斯克斯,伊里婭·德爾·里奧,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María

  一種類似狂犬病的疾病在全球傳播開來,將感染者變成極具攻擊性的生物。馬內(nèi)爾帶著他的貓躲在家中,憑借他的智慧生存下來。很快,他們將不得不外出覓食,尋找陸地和海上的安全之所?!短靻:完結(jié)的起點(diǎn)》是一個身體和情感上的生存故事,伴隨著刺激的打斗、緊張的氣氛、瘋狂的感染......以及一只脾氣暴躁的貓。

沖破鐵幕

保羅·紐曼,朱莉·安德魯斯,麗拉·柯卓娃,漢斯約格·費(fèi)爾麥

  邁克爾(保羅·紐曼 Paul Newman 飾)是一位非常優(yōu)秀的火箭科學(xué)家,同時也是國家重點(diǎn)保護(hù)的珍貴人才。莎拉(朱麗·安德魯斯 Julie Andrews 飾)是邁克爾的助手,同時也是他的未婚妻,某日,兩人共同前往哥本哈根,去參加在那里舉辦的研討會。  在哥本哈根的日子里,邁克爾的行為舉止表現(xiàn)的非常的怪異,就連向來能夠理解他的莎拉都感到百思不得其解,他的所有詭異行為只有一個解釋,那就是他要背叛自己的國家,逃往東德。為了弄清楚事情的真相,莎拉開始了對于邁克爾的調(diào)查,哪知道最終,莎拉選擇了和邁克爾一起叛逃。這對夫妻的行為背后,有著不為人知的目的。

索命舞娘

麥迪·齊格勒,拉娜·康多,艾瑞絲·阿帕托,阿凡提卡·萬達(dá)納普,米利森特·西蒙茲,烏瑪·瑟曼,莉迪亞·倫納德,邁克爾·卡爾金,Kate Freund,克里斯蒂安·恰克瓦里,加博爾·納吉帕爾,Julian Krenn,沙哈布·魯巴達(dá),鮑拉日·邁杰里,貝拉·奧爾薩尼,弗朗西斯·麥克伯尼,亞當(dāng)·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet

五個芭蕾舞者去參加比賽,卻遭遇公車墜毀,被困在一家偏遠(yuǎn)旅館中,遭遇殺身之禍,必須用自己的舞技逃脫危機(jī)。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

奉魔之名

索菲·瓦瓦塞爾,史蒂芬·比靈頓,Richard Felix,喬·安妮·斯托克漢姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich

  正值青春期的少女艾瑪(蘇菲·瓦瓦希爾 Sophie Vavasseur 飾)因小事與父母發(fā)生爭吵,繼而用玻璃碎片割破自己的手掌。在此之后,父母子女的關(guān)系雖有所松動,但是新的危機(jī)已悄悄展開。艾瑪是不是會做出些奇怪的舉止,這令父母異常擔(dān)心,于是只得將艾瑪留在家中接受教育。期間他們嘗試帶女兒去看具有催眠本領(lǐng)的心理醫(yī)生,誰知醫(yī)生最終猝死艾瑪?shù)南ド?。艾瑪自感自己已被魔鬼附體,因此不顧崇尚科學(xué)的父母的反對,執(zhí)意求助于因驅(qū)魔失敗而被革除神職的舅舅基斯(道·布萊德利 Doug Bradley 飾)。  基斯似乎漸漸證實(shí)了艾瑪?shù)牟聹y,而她體內(nèi)那股邪惡的力量也變得越來越強(qiáng)大……