劇情縱覽
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艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
一項(xiàng)革命性的人類(lèi)基因研究計(jì)劃,為預(yù)防疾病與犯罪帶來(lái)了莫大幫助,身為研究員的一份子,希歐多不但致力于生命的發(fā)展與延續(xù),還有個(gè)能預(yù)知他人死亡的特殊能力。不過(guò)這次他的能力卻陰錯(cuò)陽(yáng)差害死了自己的女友安娜,內(nèi)疚不已的希歐多以悲傷度日,直到一個(gè)月過(guò)去,安娜竟又活生生地出現(xiàn)在他面前?
只是一場(chǎng)意外,卻又超乎意外。駕車(chē)撞死一條狗,男子與妻女來(lái)到陌生車(chē)房。憑其義肢走動(dòng)時(shí)的聲響,車(chē)房工認(rèn)出司機(jī)或是當(dāng)年施酷刑的獄吏。仇人送上門(mén),雪恨更待何時(shí)。然而,獄中受折磨時(shí)雙眼被蒙,嫌疑犯是行刑者確實(shí)無(wú)誤?從早到晚奔波一輪,找來(lái)幾個(gè)獄友確認(rèn)俘虜身份,痛苦回憶涌上心頭。在無(wú) 垠沙漠等待把他活埋私了,有若在人性荒原等待果陀,替天行道又是否問(wèn)心無(wú)愧?以懸疑驚栗布局,暗黑寫(xiě)實(shí)的人物故事來(lái)自巴納希獄中親見(jiàn)親聞,將苛政、濫權(quán)、以暴易暴一一置于道德倫理的天秤上,丈量人性輕重;悲憤中不失幽默,連消帶打貪污賄賂之風(fēng)。一面金棕櫚獎(jiǎng),絕非意外。
該取材于武穴市4000多名黨員下社區(qū)、進(jìn)小區(qū),通過(guò)黨建引領(lǐng)老舊小區(qū)改造的故事:建于上世紀(jì)七、八十年代的老油廠(chǎng)小區(qū),有9棟樓160多戶(hù)居民,是一個(gè)典型的無(wú)物管、無(wú)主管部門(mén)、無(wú)人防物防的“三無(wú)”小區(qū)。這里許多居民亂搭亂建雜物間、小車(chē)棚,下水道破損無(wú)人維修,生活污水橫流,居住環(huán)境十分惡劣。有條件的住戶(hù)外出購(gòu)房搬離后,又將這里的房子出租出去,導(dǎo)致這兒的居住環(huán)境更加復(fù)雜。龍?zhí)渡鐓^(qū)主任張昊陽(yáng)借老舊小區(qū)改造之際,做活黨建+的文章,派出社區(qū)片警樊玉鋒任第一支部書(shū)記,引導(dǎo)居民開(kāi)展“法治、德治、自治”。在社區(qū)工作者和小區(qū)黨支部+業(yè)主委員會(huì)的共同努力下,解決了一批居民急難愁盼的事,終于讓居住在這里的近千名群眾生活出現(xiàn)了新業(yè)態(tài)。