致命曝光

★ 3.1 播放:53萬(wàn) 更新:2026-05-09

一個(gè)變態(tài)的攝影師已各種各樣的殺人手法將前來(lái)照相的人殺死用來(lái)完成自己的攝影作品 hellip; hellip;非常不錯(cuò)的片子,很血很變態(tài),一開(kāi)頭就有森林車震戲,而且片中的殺人手法沒(méi)有一種相同的,并且手法都很不錯(cuò),非常值得看的一部片子  

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一個(gè)變態(tài)的攝影師已各種各樣的殺人手法將前來(lái)照相的人殺死用來(lái)完成自己的攝影作品 hellip; hellip;非常不錯(cuò)的片子,很血很變態(tài),一開(kāi)頭就有森林車震戲,而且片中的殺人手法沒(méi)有一種相同的,并且手法都很不錯(cuò),非常值得看的一部片子  

同類好片

導(dǎo)演精選

浴血黑幫電影版

 1940年的伯明翰,在第二次世界大戰(zhàn)的混亂中,湯米·謝爾比(基里安·墨菲 飾)從自我放逐中回歸,直面著迄今為止最具破壞性的清算。家族和國(guó)家的未來(lái)岌岌可危,湯米必須面對(duì)自己心中的惡魔,并選擇是直面它還是將其毀滅。

再見(jiàn)十八班

  梧桐中學(xué)高二十八班是遠(yuǎn)近聞名的問(wèn)題班級(jí),后進(jìn)生、藝術(shù)生、體育生、不良少年聚集在此,以宋宸(柯焱曦 飾)為首的男生幫派和以秦淼淼(熊婧文 飾)為首的女生幫派互相不服,班級(jí)混亂無(wú)序。一天,高二十八班收到了一封信,這封信自稱是由一年后的他們集體寄來(lái)。信上說(shuō),即將調(diào)來(lái)的班主任譚 睿明(秦海 飾)會(huì)改變十八班,成為對(duì)他們最重要的人。然而在一年后的未來(lái),譚老師卻永遠(yuǎn)地離開(kāi)了他們。為了實(shí)現(xiàn)一段沒(méi)有遺憾的青春,扭轉(zhuǎn)歷史,少年們決定按照信上所說(shuō),挑戰(zhàn)一個(gè)個(gè)不可能實(shí)現(xiàn)的任務(wù)...

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.