周末夫婦

肖菲勒

1和2

　　有一戶人家，他們世代隱居在由高墻和籬笆圍起的一方天地里。與世隔絕的他們不論外界的時(shí)代如何更替，文明怎樣進(jìn)展，仍然固守著古老的生活方式，簡樸、素雅、純真。有時(shí)候，豐沛的陽光會(huì)穿過茂密的守護(hù)森林，毫無保留地照耀著每一棵古樹、每              一寸厚土，也照耀著光影里兩個(gè)精靈般嬉戲時(shí)而消失又突然顯現(xiàn)的 少年?！　〕砷L的路總不是一片坦途，正如叛逆的陣痛永遠(yuǎn)會(huì)如期而至。眼看著新鮮力量就要沖破這亙古的高墻和藩籬，然而母親的離奇暴斃，妹妹的突然失蹤，父親愈發(fā)的心事重重，都令少年更加堅(jiān)信自己身處在一個(gè)古老而危險(xiǎn)的秘密之中，而這個(gè)秘密的答案，也許就能解開羈絆在自己和妹妹身上的神秘力量的終極謎題...... 

一個(gè)明星的誕生1937

 艾斯特（珍妮·蓋諾 Janet Gaynor 飾）是懷揣著成名的夢(mèng)想，剛剛步入好萊塢發(fā)展的年輕女演員，在大明星諾曼（弗雷德里克·馬奇 Fredric March 飾）舉辦的慈善演出中，艾斯特大放異彩，成為了萬眾矚目的焦點(diǎn)，而她和諾曼之間也相互吸引，漸漸產(chǎn)生了感情，就這樣，兩人走到了一起。諾曼用自己的人脈幫助艾斯特創(chuàng)造了一些演出機(jī)會(huì)，而艾斯特本身就是一個(gè)悟性非常高的女孩，擁有絕佳的表演天賦，沒過多久，她就成為了冉冉升起的新星，未來可期，前途無量。但相對(duì)的，艾斯特的成名反襯出了諾曼的過氣，他酗酒的毛病讓他的星途屢遭滑鐵盧。雖然妻子的優(yōu)秀令諾曼感到自豪，但沮喪和挫敗感亦在無時(shí)不刻的折磨著他。

緊箍咒之不法山

　　大老板(陳龍飾)所困的不法山客棧迎來了一群不一般的客官，這其中，來勢(shì)洶洶的西域人究竟是何身份?群妖匯集在此蠢蠢欲動(dòng)又所圖為何?而路經(jīng)此地的唐僧師徒四人又將變幻何人才能騙過眾人耳目?在這座無法使用法力的神秘客棧，一場驚心動(dòng)魄的西游版“狼人殺”即將拉開序幕。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

千億之吻

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怖谷鳥

　　17歲的女孩Gretchen（亨特·莎弗 Hunter Schafer 飾）被迫與家人一起搬到一個(gè)度假勝地，而那里并不像看上去的那樣平靜。