在線看
同款熱播
殺戮南瓜怪
佩頓·伊麗莎白·李,柯瑞·福格爾瑪尼斯,懷亞特·林德納,卡拉·吉門內(nèi)斯,Sasha Mason,喬納·利斯,DJ·考爾斯,Marc Sully Saint-Fleur萬圣節(jié)之夜，一位少女劇作家、她的弟弟和一群幸存者被困在一個(gè)可怕的村莊里：一群有著生命的南瓜開始攻擊人類，而這件事似乎在這個(gè)村莊的歷史上發(fā)生過。
金屬之聲
里茲·阿邁德,奧利維亞·庫克,保羅·拉西,勞倫·利德洛夫,馬修·阿馬立克,克里斯·佩爾費(fèi)蒂,邁克爾·陶,威廉·澤法爾茨,亞歷克斯·基爾戈?duì)?杰米·加扎里安一個(gè)搖滾樂隊(duì)的鼓手（里茲·阿邁德）突然發(fā)現(xiàn)自己失聰，他的樂隊(duì)搭檔露（奧利維亞·庫克）和他都很懊惱，但又不得不面對這殘酷的現(xiàn)實(shí)。影片去年在多倫多電影節(jié)首映，作為導(dǎo)演處女作獲得媒體好評。
怪形
庫爾特·拉塞爾,威爾福德·布利姆雷,TK·卡特,大衛(wèi)·科列儂,凱斯·大衛(wèi),理查德·戴薩特,查爾斯·哈拉漢,Peter Maloney,理查德·馬蘇爾,唐納德·莫法特,喬爾·波利斯,托馬斯沃特斯,諾伯特·魏塞爾,拉瑞·弗蘭科,納特·歐文,阿德里安娜·巴比歐,約翰·卡朋特,杰德1982年冬天，挪威科考隊(duì)的一架直升機(jī)突然打破了南極大陸的平靜，直升機(jī)瘋狂的追逐一只雪橇犬，最后墜毀在美國科考營地的附近。美國科考隊(duì)員對挪威考察隊(duì)近期人員驟減的情況有所耳聞，于是飛行員麥克（Kurt Russell 飾）與眾人趕赴挪威營地，結(jié)果看到的是一地破敗中四處散落著奇怪的尸體，并有證據(jù)表明挪威人得到了某種冰封狀態(tài)中的生物。醫(yī)生布萊爾（Wilford Brimley 飾）研究了尸體的變異卻無法破解成因。當(dāng)晚，犬籠中的狗遭到襲擊并發(fā)生了變異，一種不可知的生物正在這孤寂的南極大陸威脅著科考隊(duì)員們的生命…… 本片翻拍自1951年由霍華德?霍克斯指導(dǎo)的《The Thing From Another World》。
殺手護(hù)士
米婭·查利斯,喬內(nèi)塔·凱澤,羅布·梅耶斯當(dāng)一名護(hù)士同事在神秘的情況下死亡后，兩名巡回護(hù)士必須撥開醫(yī)院里重重秘密迷宮，才能揭露兇手。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無形的本質(zhì)
Laura Brand?o,Serena,Larissa Mauro,Camila Márdila,Aline Marta Maia暑假將至，十歲的格洛麗亞陪同身為護(hù)士的母親安東尼婭去醫(yī)院上班。格洛麗亞對醫(yī)院早已熟悉，經(jīng)常獨(dú)自探索。有一天，她遇到了同樣十歲的索菲亞。索菲亞來醫(yī)院是因?yàn)樗淖婺福罕人_·弗朗西斯卡，一位患有阿爾茨海默癥的精神治療師，因家中發(fā)生意外而住院。索菲亞和母親西蒙娜對比薩的下一步安排意見不一。西蒙娜堅(jiān)持認(rèn)為她應(yīng)該暫時(shí)留在醫(yī)院；索菲亞則渴望將祖母送回鄉(xiāng)下的家中。格洛麗亞和索菲亞夢想著離開醫(yī)院，而她們的母親——都是單親媽媽，則與她們建立了信任和相互支持的紐帶。死亡與重生的循環(huán)對格洛麗亞、索菲亞、安東尼婭和西蒙娜來說意義深遠(yuǎn)。當(dāng)比薩即將離世時(shí)，安東尼婭負(fù)責(zé)她的臨終關(guān)懷。在鄉(xiāng)下，他們發(fā)現(xiàn)一個(gè)社區(qū)正在等待比薩，準(zhǔn)備為流浪的靈魂祈禱，以便他們能夠繼續(xù)前行。