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劇情簡(jiǎn)介
富婆凌志(Preben Mahrt 飾)對(duì)商業(yè)巨子安崬 (Ole S oslash;ltoft 飾)頗有好感，大有聯(lián)姻之勢(shì)。 安崬 的商業(yè)對(duì)手也想得到富婆投資，綁架了安崬 。安崬 與凌志見(jiàn)面之期將近，安崬 的支持者們卻尋不到安崬 。焦急之時(shí)祂們決定尋個(gè)與安崬 容貌酷似人來(lái)頂替。陰差陽(yáng)錯(cuò)鬧出許多戲劇，最后促成兩段美好姻緣。
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瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,理查德·哈蒙,邁克爾·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科圖,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,烏戈·雷蒙多,艾普爾·特萊克越戰(zhàn)黑金剛
萊伯·布朗,凱瑟琳·?？颂m,克勞迪奧·弗拉加索,盧西亞諾·皮格齊兩張彩票
多里安·波古策,德拉戈什·布庫(kù)爾,亞歷山德魯-維克多·內(nèi)姆特亞努,諾拉·庫(kù)普辛庫(kù),安迪·瓦斯盧亞努,尤安娜·弗洛倫蒂娜·迪米特流,米爾卡·巴努,伊萊亞斯·費(fèi)金,艾麗莎·卡林,伊琳娜·諾阿特斯,亞歷山德魯·帕帕多波爾,謝爾班·帕夫盧鬼府神工
勞倫·拉維拉,Claudio Nathan Brezzi,雅辛·法德?tīng)?Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克勞迪亞·杰里尼,Jonathan Dylan King,Elisabetta Klein,喬瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮絲·麥克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛倫佐·倫茲,Nicolo Viridi,Linda Zampagli安眠實(shí)驗(yàn)
Krit Jeerapattananuwong,Warisara Jitpreedasakul,Philaiwan Khamphirathat,凱·樂(lè)希迪柴,汪撒孔·拉薩米塔特,帕尼莎拉·里庫(kù)蘇拉康,Supanaree Sutavijitvong,卜密巴特·塔沃斯理,Dujdao Vadhanapakorn,Kim Waddoup字母殺手
艾麗莎·杜什庫(kù),加利·艾爾維斯,湯姆·馬洛伊,蒂莫西·赫頓,邁克爾·艾恩塞德導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
尋找身體2
森崎明日香在破解校園詛咒后消失，三年后，新一批高中生被困在深夜游樂(lè)園，陷入 “被紅衣人殺死就重復(fù)同一天” 的循環(huán)。而追殺他們的紅衣人，正是被詛咒吞噬的明日香。眾人一邊求生，一邊試圖解開(kāi)詛咒、拯救變回怪物的她。
藍(lán)調(diào)之歌
影片改編自真實(shí)故事，講述兩名時(shí)運(yùn)不佳的音樂(lè)人（休·杰克曼與凱特·哈德森 飾）組成一支充滿(mǎn)歡樂(lè)氣氛的尼爾·戴門(mén)致敬樂(lè)團(tuán)，證明了尋找愛(ài)情和追逐夢(mèng)想永遠(yuǎn)不會(huì)太晚。