黑幫大佬和我的365日

? 7.3 播放：82萬 2026-05-07

馬西莫;托里塞利是一個西西里黑手黨家族的年輕英俊的老板，在他的父親被暗殺后，他別無選擇，只能接掌位子。勞拉貝爾是一家豪華酒店的總監(jiān)，事業(yè)有成，但私生活卻缺乏激情,她努力來挽救人際關系，和朋友一起去西西里島旅行。勞拉沒有料到島上最危險的人馬西莫會綁架她，囚禁她，給她365天時間愛上他?！?65 dni》是根據(jù)波蘭同名暢銷小說改編。 　　

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劇情提要

馬西莫;托里塞利是一個西西里黑手黨家族的年輕英俊的老板，在他的父親被暗殺后，他別無選擇，只能接掌位子。勞拉貝爾是一家豪華酒店的總監(jiān)，事業(yè)有成，但私生活卻缺乏激情,她努力來挽救人際關系，和朋友一起去西西里島旅行。勞拉沒有料到島上最危險的人馬西莫會綁架她，囚禁她，給她365天時間愛上他。《365 dni》是根據(jù)波蘭同名暢銷小說改編。 　　

幕后花絮

廢柴同盟

　　電視臺的監(jiān)制阿南（曾志偉 飾）一直郁郁不得志，雖然才華橫溢，但是由于不善交際，做的都是一些冷門時段的節(jié)目。這日，他在一個公眾場合偶遇了過氣歌手阿Ken（吳鎮(zhèn)宇 飾），發(fā)現(xiàn)阿Ken想方設法都想上臺獻唱?？粗en的古怪舉動，阿南突然有了一個想法，發(fā)現(xiàn)了一條可以幫助二人成功的道路。阿南向阿Ken提出成為他的獨家代理人，并幫他重新包裝，保證他一定能咸魚翻身。原來，阿南的計劃就是讓Kenny裝瘋賣傻，全力吸引傳媒的視線，為了能再次踏上舞臺，阿Ken答應了?！　」蝗绨⒛纤希琄enny的瘋癲行為引來了大批傳媒，他也迅速走紅。此時，電視臺為了能讓Kenny來上節(jié)目，只好滿足阿南的要求，將他調到熱門時段的節(jié)目讓他大展拳腳。正當這對伙伴的事業(yè)一帆風順時，一個艱難的抉擇卻擺在了阿南面前。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.