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吞噬星空劇場版決戰(zhàn)原始星
活著
葛優(yōu),鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順探子阿堅：無頭奇案
玉葉,國輝父影之下
索佩·迪瑞蘇,Godwin Egbo,Chibuike Marvelous Egbo,Efòn Wini,Tosin Adeyemi,Adesina McCoy Babalola,Lawrence Chu,Yetunde Coker,Akerele David,瓦萊·戴維斯,Patrick Diabuah,Paul Edobor,瑪莎·厄赫諾梅,Adodo Emmanuel,Patrick Essien,Olarotimi Fakunle,Ikechukwu Gabriel,Fred Ideh,Ebuka米奇船大屠殺
Natasha Tosini,Shayli Reagan,Lauren Leppard審判游戲
阿米達普·巴強,埃朗·哈斯米,Krystle D'Souza,雷亞·查克雷伯蒂同類推薦
河鰻
潘綱大,柯泯薰,潘親御,鄭如吟,陳季霞,吳美和父親一去不返，原本在城市上班的阿亮，回到被遺忘的沙洲，寄居河邊破房子，在垃圾場打工。島民為土地公抬轎，被丟棄的神明都擠在寺廟中。阿亮發(fā)現神秘紅裙女子漂浮于河上，她似乎有著不堪回首的過去，或許她根本就是河鰻化身？視覺藝術家朱駿騰首部長片，取景于臺北市內遭限制開發(fā)逾半世紀的社子島，建構如夢似幻的幽靈地帶，以濃烈的符號和隱喻，展現實驗風格，透過一段萍水相逢的奇遇，映照生命的困頓與無常，探索欲望與歸屬。柏林影展視角單元。
三毛從軍記1992
賈林,魏宗萬,孫飛虎,朱藝,李穎三毛（賈林 Jia Lin 飾）從來就是銀幕上喜劇人物。這次，三毛從軍了?？谷諔?zhàn)爭全面爆發(fā)了，無所事事的三毛一心想著為國立功，加入了軍隊。不料，新兵訓練的時候就笑話百出。手榴彈實彈投擲訓練時，三毛一不小心就將手榴彈投到了戰(zhàn)壕里，搞得全軍上下一片烏黑。稀里糊涂的三毛隨后參加了一支敢死隊，笑話百出的他和隊友們竟一股全殲了敵軍?！ 】箶秤泄Γ呱胶笄诓?，不用再上戰(zhàn)場了，卻成了師長姨太太的跟班。整天被使喚也鬧了不少笑話。不料兵敗師長自殺，三毛又重投兵營。一次執(zhí)行空降任務時，三毛和以前的知心戰(zhàn)友遭到伏擊，大難不死卻落入深山。一等就等到了抗戰(zhàn)結束，三毛和戰(zhàn)友早已成了野人。
獵殺超自然
約翰·威爾士,Darren Lee Cupp,艾迪森·格蕾絲·倫道夫A gunslinger on a mission from God must track down supernatural creatures as penance for his past sins.
變態(tài)殺手
喬治娜·坎貝爾,詹姆斯·普雷斯頓·羅杰斯,馬爾科姆·麥克道威爾,洛根·米勒,Grace Dove,艾倫·默克,Joshua Banman,Cassandra Ebner,達倫·馬爾滕斯,辛妮·比斯頓,Nigel Shawn Williams,泰瑞·雷,科比·弗里森,Bailey Chin,Michelle Crossman,Rachel Sheen,凱文·麥金太爾,Robert Nahum,Yan Joseph,Brodie SandersonThe story follows a nameless murderer, wearing a nightmarish mask, randomly murdering people across the U.S. in an attempt to secure his passage to hell. A patrolman’s pregnant wife, a fellow police officer, witnesses the killer murdering her husband and seeks to bring his to justice
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster