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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圣山1973
亞歷桑德羅·佐杜洛夫斯基,霍拉西奧·薩利納斯,Zamira Saunders,胡安·費(fèi)拉拉,阿德里安娜·佩奇 ,Burt Kleiner,Valerie Jodorowsky,Nicky Nichols,理查德·魯托夫斯基,Luis Lomelí,Ana De Sade,Chucho-Chucho,Letícia Robles,Connie De La Mora,David Kapralik,Jacqueline Voltaire,José Antonio Alcaraz,赫克托?奧爾特加,阿麗爾·朵巴絲一位貌似耶穌的小偷（Horácio Salinas 飾）從兒童們的石塊擊打中醒來，與一個(gè)無手無腳的侏儒結(jié)伴進(jìn)入城市。城中正進(jìn)行一場(chǎng)瘋狂的慶典，一些人被殺死，鳥雀從他們的槍口中飛出，大量蟾蜍穿著印第安人以及歐洲殖民者的服裝在混戰(zhàn)中被炸的粉碎。小偷從幾個(gè)羅馬士兵打扮的人手中接過十字架，又被他們將自身的形象制造成無數(shù)模型……小偷在眾目睽睽下爬上了一座能生產(chǎn)黃金的高塔，塔內(nèi)的術(shù)士從小偷的糞便中提煉出了金子。術(shù)士用占星術(shù)確認(rèn)了幾位門徒，他們是生產(chǎn)面具的商人、武器商、藝術(shù)家、玩具商、政府顧問、軍隊(duì)長(zhǎng)官和建筑師，七人分別代表不同的行星。術(shù)士把這些掌控國(guó)家的人物積聚一起，拋棄一切之后向傳說中的圣山進(jìn)發(fā)尋找不朽的秘密。
百米。
松坂桃李,染谷將太,笠間淳,高橋李依,田中有紀(jì),種崎敦美,悠木碧,內(nèi)田雄馬,內(nèi)山昂輝,津田健次郎,榎木淳彌,石谷春貴,石橋陽(yáng)彩,杉田智和他，天生就跑得快。此外沒有優(yōu)于他人的地方了，但也覺得只要跑得快就足夠了。得以立足于學(xué)校、成為交友的橋梁。這便是，這位少年的一切。而與他相遇的，是為了忘掉痛苦而跑步的少年。他跑得并不快，卻有熱情。被他的熱情所感染，隨后感受到了興奮?？?、這卻是“異常”的開端?！?00米”，讓一切都變得瘋狂。
千億之吻
段天恩,黎春進(jìn),麻蘭都,秋莊,范進(jìn)祿...
步履不停
阿部寬,夏川結(jié)衣,江原由希子,高橋和也,田中祥平,野本螢,林凌雅,寺島進(jìn),加藤治子,樹木希林,原田芳雄“人生路上步履不停，為何總是慢一拍”。位于偏遠(yuǎn)小鎮(zhèn)的橫山一家，生活平靜祥和。父親恭平（原田芳雄 飾）是業(yè)已退休的醫(yī)生，卻時(shí)時(shí)牽掛小鎮(zhèn)診所內(nèi)的事務(wù)。長(zhǎng)子純平繼承了父親的事業(yè)，卻在15年前為救落水兒童而溺水身亡。次子良多（阿部寬 飾）與父親意見相左，執(zhí)意前往異地當(dāng)起了繪畫修復(fù)師。多年的打拼換來的卻是失業(yè)，困頓的良多與帶著孩子的由香里（夏川結(jié)衣 飾）結(jié)婚，相互扶持，繼續(xù)生活。又逢純平的忌日，良多和姐姐千奈美（YOU 飾）帶著家人分別趕回家中。平靜的橫山家再次熱鬧起來……本片榮獲2009年藍(lán)絲帶最佳導(dǎo)演獎(jiǎng)和最佳女配角獎(jiǎng)（樹木希林）、2008年報(bào)知電影和2009年電影旬報(bào)最佳女配角（樹木希林）、2009年每日電影獎(jiǎng)最佳男主角（阿部寬）、2008年馬塔布拉塔國(guó)際電影節(jié)評(píng)審團(tuán)大獎(jiǎng)和最佳影片。
星河戰(zhàn)隊(duì)
卡斯帕·范·迪恩,迪娜·邁耶,丹妮絲·理查茲,杰克·布塞,尼爾·帕特里克·哈里斯,克蘭西·布朗,塞斯·吉列姆,帕特里克·茂頓,邁克爾·艾恩塞德,露·麥克拉納罕,馬紹爾·貝爾,埃里克·布魯斯科特爾,馬特·萊文,布蕾克·林斯利,安東尼·瑞維瓦,布蘭達(dá)·斯特朗,迪恩·諾里斯,克里斯托弗·柯里,萊諾爾·卡斯多夫,羅伯特·斯莫特,斯蒂芬·福特,羅伯特·大衛(wèi)·豪爾,艾米·斯馬特,蒂莫西·奧門德森,代爾·戴高中生瑞科（卡斯帕?凡?迪恩 Casper Van Dien 飾）畢業(yè)后，在女友卡門（丹妮絲?理查茲 Denise Richards 飾）的鼓動(dòng)下，違背了父親的意志，加入了機(jī)械化步兵學(xué)院，卡門亦加入了海軍學(xué)院?！ ≡谒麄儏⒓佑?xùn)練不久后，地球遭到了來自外星球的昆蟲襲擊。瑞科的親人均慘遭殺害，卡門將拍攝到的影像傳送給了瑞科。悲憤交加的瑞科率領(lǐng)部下投入到了對(duì)抗外星昆蟲的戰(zhàn)斗中。 然而，軍隊(duì)低估了這些昆蟲的實(shí)力。在一次遭遇戰(zhàn)中，10萬(wàn)軍隊(duì)?wèi)K遭殺戮，只剩瑞科、卡門等幾人僥幸逃生。瑞科親眼目睹了恐怖的殺戮場(chǎng)面，意外獲知了這些昆蟲變得如此聰明、強(qiáng)大的秘密。瑞科意識(shí)到必須制造更先進(jìn)的武器才能對(duì)付這些昆蟲，人類的反擊開始了！