即刻觀影
劇情賞析
編輯推薦
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
交響詩篇超進(jìn)化2
動畫《交響詩篇》的劇場版動畫《交響詩篇 超進(jìn)化》續(xù)作預(yù)計于11月10日正式上映，正式片名定為《ANEMONE/交響詩篇超進(jìn)化》，宣傳PV今日公開。故事以TV動畫《交響詩篇》中最初的東京為舞臺，故事主要圍繞7年前喪父的安妮莫奈展開。
極樂
歐文·威爾遜,薩爾瑪·海耶克,瑪?shù)铝铡て娆?內(nèi)斯塔·庫珀,喬舒華·萊納德,小豪爾赫·蘭登伯格,錢信伊,德龍·霍頓,史蒂夫·齊西斯,梅西·麥克利,凱蒂·麥克凱布,Debbie Fan,Erin Flannery,凱拉·亞當(dāng)斯,Megan Le,達(dá)林·庫珀,克里斯托弗·艾伯,斯科特·道格拉斯麥·克拉克倫故事講述剛離婚不久的格雷格(威爾遜飾)遇到了迷人的伊莎貝爾(海耶克飾)。伊莎貝爾住在大街上，認(rèn)為這個被污染、破敗不堪的世界并不是真實的。她相信這個丑陋的世界是在一個美麗、和平、“真實”的極樂世界的內(nèi)部。起初格雷格表示懷疑，但他最終發(fā)現(xiàn)這個理論很有道理。
網(wǎng)絡(luò)迷宮
克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡2005年圣節(jié)前3天，電子游戲設(shè)計員米正在趕制全新游戲－極樂迷宮，準(zhǔn)備在圣誕日推出面大量發(fā)售．豈料異變突然發(fā)生，游戲里的主角蘇被病毒感染產(chǎn)生自主意志，厭倦了打打殺殺無限續(xù)局的殘酷生涯，要求杰米刪除游戲程式，另一邊廂，電腦集團(tuán)又派人催促杰米趕快交貨，進(jìn)退維谷的，他只好兵行險著，策動一場網(wǎng)絡(luò)革命……
大熊
亞當(dāng)·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi HeasletBIG BEAR is about Joe (Joey Kern) who reluctantly has his bachelor party even though his fiancé just dumped him for some Dude (recent Emmy nominated. Pablo Schreiber).