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古曼童
辛迪·米蘭達(dá),納塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman EsquivelA black magic baby outdy com that is believed to bring luck to its owner and also harm if not properly cared for
寫寫畫畫
永野芽郁,大泉洋,見(jiàn)上愛(ài),畑芽育,鈴木仁,神尾楓珠,森愁斗,青柳翔,長(zhǎng)井短,津田健次郎,齊藤由貴,有田哲平,山野仁,大森南朋立志成為漫畫家的高中生林明子,經(jīng)同學(xué)介紹來(lái)到一個(gè)奇怪的美術(shù)教室。這個(gè)教室沒(méi)有招牌也沒(méi)有宣傳,甚至在電話本上都查不到,只是一處坐落在海邊的小木屋。木屋主人是個(gè)手拿竹刀、身穿運(yùn)動(dòng)服的美術(shù)老師,名叫日高健三。他嚴(yán)厲無(wú)比,每次學(xué)生們畫畫懈怠的時(shí)候,他只有一句話:“去畫吧!”
假日旅館
平·克勞斯貝,弗雷德·阿斯泰爾,瑪喬麗·雷諾茲,弗吉尼亞·戴爾,沃爾特·艾貝爾,路易絲·比弗斯,歐文·培根影片由一系列音樂(lè)片斷構(gòu)成,由擅長(zhǎng)歌舞巨片的馬克·桑德里區(qū)執(zhí)導(dǎo)。其中每一首插曲都以美國(guó)的節(jié)假日為線索,又都巧妙地集中到一對(duì)情敵的身上。本片獲1943年第15屆奧斯卡最佳編劇和最佳音樂(lè)獎(jiǎng)提名!一家開(kāi)設(shè)在公路邊的旅館,兩個(gè)年輕的合伙人哈迪和海諾沃同時(shí)愛(ài)上了一位姑娘。海諾沃(由著名舞蹈家弗雷德·阿斯泰爾飾)盡管在愛(ài)情的追逐中連連占先,但最終還是敗給了哈迪(由著名歌星賓·克羅斯比飾)。哈迪是位酷愛(ài)音樂(lè)的懶散的人,他退休回到新英格蘭農(nóng)村,每逢節(jié)假日,他的農(nóng)場(chǎng)就成了娛樂(lè)總會(huì)……
馬路天使1937
周璇,趙丹,魏鶴齡,錢千里1930年代,小云、小紅(周璇)姐妹被人騙到上海賣給琴師和妓院老鴇夫婦,小云被迫做了暗娼,小紅年紀(jì)尚小,又天生有一副好嗓子,便隨琴師去茶樓終日賣唱。姐妹兩人住在貧民窟,在她們對(duì)面,住的分別是報(bào)販老王和吹鼓手陳少平(趙丹)。因?yàn)殚e來(lái)無(wú)事時(shí)陳少平常同小紅對(duì)窗玩鬧,兩人漸生感情?! ⌒〖t賣唱時(shí)被流氓古成龍纏上,對(duì)方欲強(qiáng)霸她為妾,小紅找陳少平商量對(duì)策,兩人本想借助律師將正義伸張,不想律師雙眼只認(rèn)錢,無(wú)奈之下只得逃走,而這一過(guò)程中,老王對(duì)小云由憐生愛(ài),可是小云卻因自卑不敢正視。琴師偶知陳少平與小紅下落,放風(fēng)給古成龍,古成龍趕到小紅住處時(shí),屋里只有她和小云,兩人生命危在旦夕。
手機(jī)有鬼
漢娜·霍克斯特拉,Isis Cabolet,羅伯特·德·霍格,Alex Hendrickx,馬菲積斯·范德桑德·巴庫(kù)曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,麗莎·斯普斯,揚(yáng)容·斯皮森伯格,馬克·范·伊文安娜在床上醒來(lái),腦袋因?yàn)榍耙灰沟目駳g有些昏沉疼痛。她打開(kāi)手機(jī),發(fā)現(xiàn)新增一款名為“伊麗絲”(IRIS) 的神秘互動(dòng)APP;它將好姊妹出軌的證據(jù)偷拍下來(lái),還將不雅照、私密影片和訊息散布至臉書,監(jiān)控她的生活,周遭朋友紛紛卷入,陷入恐慌?! “材扔帽M一切辦法,欲將伊麗絲移除,卻引來(lái)致命殺機(jī)。不甘居于劣勢(shì)的她,決定正面迎擊…。
毀滅的發(fā)明
盧博爾·托科什,Arnost Navrátil,米羅斯拉夫·霍盧布,弗蘭蒂澤克·斯列格爾,Václav Kyzlink,Jana Zatloukalová,休·唐斯,Frantisek Cerny,奧托·希曼內(nèi)克,Václav TréglAs its title suggests THE FABULOUS WORLD OF JULES VERNE is an awe -inspiring, meticulous cinematic rendering of the aesthetic and conceptual inventions of proto-science fiction genius Jules Verne, based on one of the famed author's lesser known short stories. However, the real star of the film is the intricate art direction, successfully rendering the visual style of nineteenth century woodcuts and engravings into motion pictures, creating a stylized and surreal graphic world within which Verne’s fanciful tale unfolds. A brilliant scientist, Dr. Roche, perches high above a stormy sea, inventing a powerful explosive, when he and his assistant are kidnapped by an evil businessman, Artigas. Taken by submarine to Artigas' volcano headquarters, Roche is tricked into developing his experiment for evil intentions. The scientist’s assistant, Simon, struggles all the while to free himself and warn Roche. A magical world of baroque submarines and sailing ships, killer octopus, undersea bicycles dazzles audiences as human actors, puppetry, animation and fanciful scenic design interact to create a cinematic experience that is unique by any standards. Mixing slapstick comedy, action adventure pacing and Mélies style film magic, this little known Czechoslovakian gem transcends the juvenile literature at its source to create cinematic art of the highest order....