　　某座平凡小鎮(zhèn)，彪悍恐武的警探約翰·伊利亞特（維尼·瓊斯 Vinnie Jones 飾）和美麗善良的女兒海瑟（Emily Tennant 飾）生活在一起。某天一名酷酷的男孩來到海瑟的學(xué)校，他叫羅比·穆勒（杰克·克羅克 Jake Croker 飾），五年前曾和海瑟有過一面之緣，并且卷入了一場神秘恐怖的死亡時間。羅比似乎對海瑟頗有好感，但卻因此惹惱追求這個女孩的格雷戈（Aren Buchholz 飾）。在一次爭執(zhí)中，五年前的恐怖一幕再度上演，格雷戈在沒有任何人碰觸他的情況下突然倒地，遭受重創(chuàng)。　　不久后格雷戈傷愈出院，卻死性不改，對羅比欲行不軌，最終在野外死于一場離奇的事故。約翰受命調(diào)查此案，種種疑點(diǎn)全部指向了神秘而陰森的羅比……

鐘無艷

鄭秀文,梅艷芳,張柏芝,黃浩然,林雪,王天林,許紹雄

　　春秋戰(zhàn)國時期，一向昏庸好色的齊宣王（梅艷芳飾）誤闖夜叉山，碰上了美麗的寨主鐘無艷（鄭秀文飾），齊宣王決定把鐘無艷娶為皇后，可是一直傾心于鐘無艷的“狐貍精”（張柏芝飾）出手阻撓，只要鐘無艷愛上其他的人，臉上便會無緣無故多出一塊難看的紅斑。狐貍精后來化身夏迎春勾引齊宣王，齊宣王終日沉醉溫柔鄉(xiāng)。而鐘無艷為了夫君出生入死、南征北戰(zhàn)。齊宣王只會有事求助于鐘無艷時才好言相向。齊宣王十分好賭，竟然把鐘無艷作為作為籌碼輸?shù)袅?，鐘無艷憤怒離開，臉上紅斑也自然消失。夏迎春得逞后也離開了皇宮，齊宣王才發(fā)現(xiàn)自己最愛為何人，浪子回頭。在受到叛徒攻擊時，還是愛著齊宣王的鐘無艷，趕到了皇宮，幫忙驅(qū)走外敵……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

豬豬俠大電影之競速小英雄

在這場前所未有的時空競速里，豬豬俠和星航這對“最佳損友”駕駛著星際列車穿越時空回到過去、他們能否可以扭轉(zhuǎn)命運(yùn)，在最終的賽場上改寫結(jié)局，守護(hù)賽車夢想？

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