暴劫傾情

0.9 播放：33萬(wàn) 更新：2026-05-09

女醫(yī)生Ivy（葉玉卿）因遭人強(qiáng)奸而陷入心緒昏亂，亦令到她錯(cuò)誤弄至病人阿龍（任達(dá)華）失憶，內(nèi)疚加自責(zé)下，決意逃避一切赴澳門與朋友Cat（張睿玲）居住。Ivy更偶然遇上龍，決意幫助他并被阿龍的積極態(tài)度而深深感動(dòng)，尋回做人的自信。龍亦從別人口中得悉他以前原是一名十惡不赦的黑幫流氓。幸得Ivy在旁鼓勵(lì)，才能溶化別人對(duì)他的憎恨。此時(shí)，醫(yī)院通知Ivy返港復(fù)職，龍知道不能失去Ivy，于是只身來(lái)港找她。這份真情把Ivy感動(dòng)，兩人雙雙墜入愛河，但阿龍始終未能擺脫黑幫的糾纏。究竟兩人感情的感情結(jié)局會(huì)如何呢？ [1] 葉玉卿遇到阿龍后，兩人漸漸產(chǎn)生了感情。不斷的接觸與相處，使兩人在不知不覺中已經(jīng)是難分難舍。當(dāng)葉接到醫(yī)院通知需要回到香港后，阿龍不辭辛苦地追了過(guò)來(lái)。在靜靜的對(duì)視中，兩人終于身心都?jí)嬋肓藧酆印Ｒ淮?，兩人正激蕩澎湃時(shí)，葉玉卿卻猛然認(rèn)出了眼前的阿龍就是曾經(jīng)強(qiáng)暴他的人。目光的對(duì)撞......公交車上， 一個(gè)小女孩的玻璃瓶摔碎在地。頓時(shí)，阿龍的記憶仿佛打翻的五味瓶一樣全部涌了出來(lái)......他無(wú)法原諒自己，最終選擇了這樣這種方式結(jié)束自己。恰巧，這一幕正好被葉玉卿看到......

播放通道

詳細(xì)簡(jiǎn)介

女醫(yī)生Ivy（葉玉卿）因遭人強(qiáng)奸而陷入心緒昏亂，亦令到她錯(cuò)誤弄至病人阿龍（任達(dá)華）失憶，內(nèi)疚加自責(zé)下，決意逃避一切赴澳門與朋友Cat（張睿玲）居住。Ivy更偶然遇上龍，決意幫助他并被阿龍的積極態(tài)度而深深感動(dòng)，尋回做人的自信。龍亦從別人口中得悉他以前原是一名十惡不赦的黑幫流氓。幸得Ivy在旁鼓勵(lì)，才能溶化別人對(duì)他的憎恨。此時(shí)，醫(yī)院通知Ivy返港復(fù)職，龍知道不能失去Ivy，于是只身來(lái)港找她。這份真情把Ivy感動(dòng)，兩人雙雙墜入愛河，但阿龍始終未能擺脫黑幫的糾纏。究竟兩人感情的感情結(jié)局會(huì)如何呢？ [1] 葉玉卿遇到阿龍后，兩人漸漸產(chǎn)生了感情。不斷的接觸與相處，使兩人在不知不覺中已經(jīng)是難分難舍。當(dāng)葉接到醫(yī)院通知需要回到香港后，阿龍不辭辛苦地追了過(guò)來(lái)。在靜靜的對(duì)視中，兩人終于身心都?jí)嬋肓藧酆?。一次，兩人正激蕩澎湃時(shí)，葉玉卿卻猛然認(rèn)出了眼前的阿龍就是曾經(jīng)強(qiáng)暴他的人。目光的對(duì)撞......公交車上， 一個(gè)小女孩的玻璃瓶摔碎在地。頓時(shí)，阿龍的記憶仿佛打翻的五味瓶一樣全部涌了出來(lái)......他無(wú)法原諒自己，最終選擇了這樣這種方式結(jié)束自己。恰巧，這一幕正好被葉玉卿看到......

同類推薦

猩球崛起：新世界

歐文·泰格,弗蕾婭·艾倫,凱文·杜蘭,皮特·馬孔,威廉姆·H·梅西,艾卡·達(dá)維爾,迪辰·拉克曼,尼爾·桑迪蘭茲,薩拉·懷斯曼,莉迪亞·佩克漢,特拉維斯·杰弗里,拉斯-塞繆爾·瓦爾達(dá)布茲,尼娜·加拉斯

　　故事設(shè)定在“猿流感”病毒蔓延全球的背景下，人類幾近毀滅，而進(jìn)化為高級(jí)智慧生物的猿類一躍成為食物鏈頂端的王者。時(shí)移世異，暴虐的猿類首領(lǐng)賽撒（凱文·杜蘭 Kevin Durand 飾）在一片廢墟中建立起猿族歷史上的第一個(gè)帝國(guó)——“猩球”崛起，這是世界新秩序誕生的黎明時(shí)分。神秘的人類女孩諾娃（弗蕾婭·艾倫 Freya Allan 飾）的出現(xiàn)，引起了賽撒的警覺。她似乎掌握著一個(gè)巨大的秘密，不僅關(guān)乎人類的存亡，甚至可能再度顛覆整個(gè)“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊(duì)的過(guò)程中，與青年猿類諾亞（歐文·泰格 Owen Teague 飾）的命運(yùn)交匯，揭開了一段冒險(xiǎn)的旅程。

愛的藝術(shù)2020

韓海印,???

　　??? ?? ??? ????? ??? ???? ??? ? ?? ?? ?????? ???? ??? ????? ?? ???. ???, ??? ??? ???? ‘??? ??’ ????? ?? ????? ??? ????? ?? ??? ?? ??? ‘??’? ?? ????? ??? ?? ?? ??? ??? ??. ??? ??? ??? ??? ?? ???? ??? ????? ??? ?? ?? ?? ?? ??? ??? ? ??? ?????. ?? ??? ??? ? ?? ? ??? ??? ????? ??? ??? ??? ?? ??　　2019? ?15? ????????? ?? ????? ?? - ??

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

分裂: 黑色子彈

山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凱倫·霍爾尼斯,多隆·貝爾,Porsha Pointner,莎倫·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凱利

　　對(duì)警察槍擊、種族主義和他們共同的聯(lián)系進(jìn)行原始的、毫無(wú)歉意的審視。沒有說(shuō)明我們知道答案，但不害怕直接提問(wèn)。

綁架者2026

雷佳鑫,楊力,田華,黃一飛,陶慧敏,趙毅

　　佳宇打算去北京阻止父母離婚。被佳宇救助的鄧凱幫他籌錢。父母回村辦離婚，佳宇被鄧凱假綁架，反被傳銷分子利用敲詐佳宇父母，父母報(bào)警，佳宇被救。佳宇在景區(qū)招商匯演時(shí)表演當(dāng)年父親失敗的魔術(shù)，挽留父母。