影片推薦
東京少女
夏帆,佐野和真,近藤芳正,秋本奈緒美,福永真梨佳約瑟夫·門格勒的消失
奧古斯特·迪赫,達(dá)娜·赫弗斯,布爾格哈特·克勞斯納,安東·利特維諾夫,海因茨·K·克拉蒂格,馬克西米利安·梅耶-布雷澤內(nèi)德,Carlos Kaspar,阿麗娜·利特維諾娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci靈蝕
桑德拉·埃斯卡塞納,布魯納·岡薩雷斯,克勞蒂亞·普萊瑟,伊凡·查韋羅,安娜·托倫特,康斯薇洛·特魯希略,安吉拉·費(fèi)比安,卡拉·坎普拉咸魚翻生
洪金寶,午馬,麥嘉,石天,林正英,鐘發(fā),曾志偉,劉雅麗親陌公園
路易斯·布蘭多尼,愛德華多·布蘭科,Verónica Pelaccini,Agustín Aristarán,Manuela Menéndez,Matías Alarcón二十
金宇彬,李俊昊,姜河那,鄭素敏,李侑菲,閔孝琳,鄭珠妍同類精選
致命錄像帶85
弗萊迪·羅德里格茲,詹姆斯·蘭索恩,喬丹·貝爾菲,吉吉·索爾·格雷羅,丹妮·迪特,Chelsey Grant,Alex Galick,Justen Jones,馬克·西普卡,Marcio Moreno,Anna Sundberg,Andrew Ghai,Chivonne Michelle,Tyler Noble,Gabriela Roel,弗洛倫西亞·里奧斯,Ari Gallegos,Felipe de Lara,Forrest Hartl,艾薇·拜爾心中的殺手
卡西·阿弗萊克,凱特·哈德森,杰西卡·阿爾芭,尼德·巴蒂,伊萊亞斯·科泰斯,湯姆·鮑爾,西蒙·貝克,比爾·普爾曼,布蘭特·布里斯科,馬修·馬希爾,連姆·艾肯,杰·R.弗格森,布蕾克·林斯利,諾亞·克勞福德,凱特林·特納,Rosa Pasquarella,Phillip Borghee,布雷特·鮑爾,Lori Lynne Cross,Drew Nixon這么遠(yuǎn)那么近
樸浩山,宋再臨,高恩敏紅衣詭村之幻·謎
姚堯,車品孝,石稚昀,謝易真,李國麟,駱應(yīng)鈞咒·絲
戴立忍,梁靜,翟子陌,孔宋今,安琥,張瑤戴夫造了個迷宮
尼克·圖恩,梅拉·羅希特·庫姆巴尼,亞當(dāng)·布斯奇,詹姆斯·烏爾班尼亞克,弗蘭克·凱提,斯科特·納維,斯蒂芬妮·阿琳,克斯汀·范奈絲,斯科特·克林斯基,蒂莫西·諾德溫德,約翰·赫寧甘,瑞克·歐弗頓,卡米拉·艾爾內(nèi)斯,德魯·尼加,艾蒂安·??颂?布里特妮·多伊奇,杰西卡·格拉夫斯影視排行
野蠻的囧妃:時(shí)空黑洞
袁曉旭,張嘉佑,胡浩帆,黃一山一個關(guān)于“時(shí)間膠囊”的機(jī)密研究項(xiàng)目,因能量塊失竊陷入危機(jī),引發(fā)了一系列時(shí)空穿越事故?,F(xiàn)代人蘇寶銀意外接觸到形似手機(jī)的能量塊,流離于古代異時(shí)空和二十一世紀(jì)現(xiàn)代兩個世界之間,美顏國王爺霍靖及兩個隨從為尋找她,也被意外卷入時(shí)空黑洞闖入現(xiàn)代。三個古代呼風(fēng)喚雨的王爺將軍,走入了完全陌生的現(xiàn)代世界,陷入囧境啼笑皆非?;氐浆F(xiàn)代的蘇寶銀在思念王爺?shù)耐瑫r(shí),遇上了英俊睿智的孫警官,這背后又隱藏著什么樣的驚天陰謀呢?當(dāng)正義戰(zhàn)勝邪惡,當(dāng)一切終結(jié),蘇寶銀又回到了原點(diǎn),再遇她的愛人,卻已形如陌路......
我的鄰居不是人
提拉達(dá)·邁特瓦拉育,Sarunrat Puagpipat,Bowkylion,Viyada Umarin,威紹特·漢莫拉,Vit Pacharapon Jantieng,Sasatorn Buain,Rujravi Jeeradechakul,Panisa Udomruangkiat,Katanyu Swangsri,Phunathat Wiwatphatthanaanan講述了一對夫妻搬進(jìn)夢想新家后的驚魂經(jīng)歷,事業(yè)有成的銷售主管阿文與懷孕的妻子,本以為搬進(jìn)了理想住所,卻很快被隔壁鄰居的詭異行為纏上。從深夜異響、樓道鬼影到家中物品莫名移位,超自然事件不斷升級。隨著調(diào)查深入,他們發(fā)現(xiàn)鄰居并非普通住戶,而是與男主的過去、家族禁忌甚至一場古老詛咒有著致命聯(lián)系。所謂“家”,其實(shí)是一個早已布好的奪命囚籠。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
精靈寶可夢:幻影的霸者索羅亞克
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,加藤夏希,塚本高史,林原惠美,中川翔子,山寺宏一,樸璐美,間宮胡桃在風(fēng)景秀麗,氣候宜人的王冠市,即將舉行神奇寶貝足籃世界杯比賽,屆時(shí),大批的觀眾和訓(xùn)練師會涌入此處,整個城市將會陷入一片歡樂的海洋之中。小智(松本梨香 配音)一行人正在前往王冠市的路上,旅途中,他們遇見了名為索羅亞的神秘神奇寶貝,它不僅能夠幻化成人類的姿態(tài),還能夠通過心電感應(yīng)和人類交流。小智和索羅亞結(jié)伴前行,哪知道王冠市竟然發(fā)生了神奇寶貝暴動事件,雷公、炎帝和水君本是城市的守護(hù)神,卻不知為何向市民們發(fā)起了進(jìn)攻,城市之中一片混亂景象。這一切的始作俑者是名為克林克斯(陣內(nèi)孝則 配音)的企業(yè)家,而他亦是索羅亞想要尋找的同伴。