劇情簡(jiǎn)介
Ga-eul六年為她的婚姻,但她與她的丈夫帶給她麻煩依賴酒精。Hee-mang是一個(gè)住在隔壁的作家,但不能忍受戰(zhàn)斗在Ga-eul那邊的房子,讓他一天。從那時(shí)起,Ga-eulHee-mang家走過去每一次她與丈夫發(fā)生性關(guān)系。Hee-mang困惑在她的行為..海外影視
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暗夜良人
何乙軒,李運(yùn)佳,周舟,黃娟,楊坤銳,李延,王淵,王正佳,劉錦,李一明,張依珂,季李,田雨,周小鵬,許之糯,呂一丁,張京海,徐福來,常征,孔慶三,邊防,杜伯,蘇強(qiáng),王俊潾,高果,孫博,劉建軍,梅景洪,李少林,高玉林,張業(yè)福,蘇佳男,楊瑞承,吳梓銘,田甲右,劉欣剛,岳陽(yáng)民國(guó)年間，張千月（楊坤銳飾）新婚之后進(jìn)省城投奔同鄉(xiāng)王明堂（李運(yùn)佳飾），不成想晚上房間內(nèi)發(fā)現(xiàn)床下有一個(gè)死尸，大批警察帶走了旅社老板宋成安（周舟飾）、老板娘翠姐（黃娟飾）、住客顧滿倉(cāng)（王淵飾）、孫興福（王正佳飾）、梁程思（劉錦飾）、門房老胡（季李飾）及房間內(nèi)的張千月與王明堂。鄉(xiāng)下的新婚妻子白秀英（何乙軒飾）與老父親張廣林趕至省城聽審，老父親接受不了這個(gè)嚴(yán)重的打擊氣絕身亡。這里面有不可告人的秘密。傳說冤魂索命，這個(gè)事情不簡(jiǎn)單。一間旅館、一個(gè)女尸、一群平民引發(fā)了一個(gè)意料之外的故事，展現(xiàn)了民國(guó)時(shí)期，灰暗的年代，軍閥割據(jù)，官匪勾結(jié)，生活在社會(huì)底層的各種普通百姓，掙扎在水深火熱之中，各種生活的無奈與社會(huì)現(xiàn)實(shí)的交織，人為了生存所做的一切掙扎.....一個(gè)投親的少女靈芝（張依珂飾）引發(fā)了當(dāng)?shù)貝喊灾焯炀茫ɡ钛语棧┢とㄟ叿里棧埲虤⒙?，牽扯無辜百姓，勾結(jié)當(dāng)?shù)鼐L(zhǎng)康大鵬（周小鵬飾）利用貪官（高果飾）歪曲事實(shí)，殘害無辜百姓，法官（常征飾）（杜伯飾）命懸一線。關(guān)聯(lián)人李婉兒（李一明飾）四散逃命，江湖騙子（孔慶三飾）渾水摸魚。更牽動(dòng)大批愛國(guó)志士（許諾飾）（張玥飾）刺殺大帥龐金龍（張京海飾）督軍孫連勝（呂一?。榘傩丈暝﹫?bào)仇！這一切的來龍去脈都由一名說書人（徐福來飾）娓娓道來。
超重警官
Sarun Cinsuvapala,Nutjaree Horvejkul,Somyos Matures,Supavitch Nepremwattana,Pramote Pathan,Suphachai Subprasert自從因?yàn)樘肿ゲ坏綋尫硕巧项^條，“阿康”和他三個(gè)朋友就成了泰國(guó)警界的恥辱。這四個(gè)胖警察必須在三個(gè)月內(nèi)甩掉肥肉，否則就會(huì)被懲處！當(dāng)美麗的尊巴舞教練“小敏”加入之后，訓(xùn)練變得令人興奮。然而，搶案持續(xù)發(fā)生，一臺(tái)銀行運(yùn)鈔車被搶后損失慘重，歹徒卻沒有留下任何線索。四位警探必須在塑身的同時(shí)偵查犯罪，減肥期限將近，但犯案之謎卻仍未解開。這幾個(gè)超大條的家伙，要如何保住他們的飯碗呢？
騙徒與致命婚宴
巴斯蒂安·帕斯特科瓦 ,Tamara Romera Ginés,Anton Dreger,芭芭拉·菲利普,埃爾詹·杜馬斯,米拉·帕爾泰克,伯恩哈德·舒茨,妮可爾博伊特勒,Taneshia Abt,利娜多瑞,Knud Riepen,Marta Kizyma,Daniel Rodic,Till Raskopf,Rabea Lüthi,Georg Paluza,Sara Bartknecht,Maxim Bartknecht,馬格努斯·克雷佩Con artist Fabian, on the run from his pursuers, ends up at a winter wedding where he plans to steal a valuable statue. But then a murder derails his plans.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
換皮
瑞貝卡·福斯蒂,露西·阿倫,芭芭拉·克蘭普頓,Sean Knopp,阿德南·馬拉爾年輕漂亮的凱拉得了一種奇怪的疾病，她的皮膚開始老化，干裂和瓦解。當(dāng)她發(fā)現(xiàn)她可以用別人的皮膚來替代自己的皮膚時(shí)，她必須做出選擇，看著自己的軀體枯萎死亡，還是屈服于誘惑，不管代價(jià)如何。
貓吻：當(dāng)你打開心扉的那一瞬間
吳東旻,???失去妻子后，沒有靈魂地生活的童話作家趙容熙。他只要去妻子畫畫的房間，就會(huì)出現(xiàn)過度呼吸的癥狀，很久沒進(jìn)過那個(gè)房間了。但是從某一天開始，那個(gè)房間里開始傳來奇怪的聲音。鼓起勇氣打開房門的龍熙。妻子房間的天花板漏水，住著在仁偷偷藏起來的小貓。在仁拜托我養(yǎng)貓，雪上加霜的是，來修理天花板的木匠哈羅恩提議把閑置的房間變成貓的房間…龍熙究竟會(huì)做出什么選擇？
蹂躪
布魯斯·鄧恩,安娜貝爾·德克斯特-瓊斯,埃里克·尼爾森,羅伯特·朗斯特里特,Joshua Brady,羅斯·帕特里奇,Chris Pinkalla,Drake Shannon,邁克爾·韋弗When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.