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豬豬俠大電影之競速小英雄
在這場前所未有的時空競速里，豬豬俠和星航這對“最佳損友”駕駛著星際列車穿越時空回到過去、他們能否可以扭轉(zhuǎn)命運，在最終的賽場上改寫結(jié)局，守護賽車夢想？
大佛普拉斯
莊益增,陳竹升,戴立忍,張少懷,陳以文,納豆,丁國琳,李永豐,朱約信,雷婕熙,林美秀,小亮哥,游安順,梁赫群,脫線,鄭宇彤,魯文學菜埔（莊益增 飾）是一家雕塑廠的夜間保安，家中有一位重病的老母親需要照顧。肚財（陳竹昇 飾）是菜埔唯一的朋友，菜埔經(jīng)常在值夜班的時候把肚財叫過來和他作伴。一天，兩人突發(fā)奇想決定看一看菜埔的老板黃啟文（戴立忍 飾）的行車記錄儀里記錄了哪些影像，希望向來風流的老板能夠貢獻出一些精彩的片段以解兩個獨身男人內(nèi)心里的寂寞之苦。行車記錄儀所記錄的影像果然沒有讓菜埔和肚財失望，但與此同時，兩人也發(fā)現(xiàn)了黃啟文的許多不可告人的秘密。實際上，菜埔和肚財?shù)囊慌e一動皆沒有逃過黃啟文的眼睛，為了保住自己的地位和名聲，他決定采取一些必要的行動。
堵車
吳鎮(zhèn)宇,倪大紅,呂麗萍,孫海英,陳志朋,吳俊余,葛思然,巴哈古麗《堵車》是一部集愛情、動作、奇幻、懸疑和黑色幽默于一體的都市電影，由一起堵車事件道出了販毒者羅生門（吳鎮(zhèn)宇 飾）、發(fā)條（陳志朋 飾）、一休（吳俊余 飾）、橙子（巴哈古麗 飾）等一群“堵心”人之間的命運交織，講述了一個懸念迭起、凄美蒼涼的故事。《堵車》——由堵心而生?！ ∪昵埃案欢卑l(fā)條、先天心臟病患者一休和制毒販毒者羅生門三個人同時都愛上了少女橙子。 三年后，又為了同一個目標，所有人的命運再次交織在一起?！ 啊伞毙湍μ齑髽蔷褪橇_生門的終點，是天堂的大門，也是宿命的象征。在荊軻的槍口下，羅生門用綠藻酒結(jié)束了自己的生命。手機視頻中，發(fā)條生命垂危，說：如果我死了，請把我的心臟移植給一休。完成了橙子的愿望，也表達他對橙子的愛。
血寡婦
Danielle Lilley,Brandon Kyle Peters,Christopher de Padua青年休·麥克艾利斯特（Brandon Kyle Peters 飾）按照未婚妻未婚妻勞瑞·蘇利文（Danielle Lilley 飾）的意愿，在遠離喧囂都市的僻靜角落買了一座數(shù)十款長的大房子。喬遷當日，勞瑞對新房子既滿意又驚奇，稍后沒多久，馬克（Jose Miguel Vasquez 飾）、安柏（Emily Cutting 飾）、肯尼斯（Christopher de Padua 飾）等朋友驅(qū)車前來，準備為小兩口開一個盛大的喬遷派對。馬可他們百無聊賴，四處閑逛，結(jié)果強行進入一個無人居住的舊房子。青年男女百無禁忌，四處閑逛，根本不知自己已經(jīng)惹到了什么。夜幕降臨，喜歡熱鬧的男女們紛紛云集到休的新居，大開狂歡派對。喜歡肯尼斯的女孩獨自落寞地再次來到那棟空房子，誰知卻被隱藏在這里的恐怖之人殘忍殺害?！ ∧沁厧駳g無度，這邊廂血腥殺戮的閘門緩緩開啟……
特工迷陣
杰森·莫瑪,戴夫·巴蒂斯塔,莫蕾娜·巴卡琳,雅各布·貝塔隆,特穆拉·莫里森,克萊斯·邦,弗蘭基·亞當斯,石原崇雅,斯蒂芬·魯特,大衛(wèi)·赫克里·肯努·貝爾,Mark R Black,Marris Collins,馬卡納·大衛(wèi),邁克·愛德華,蘿伊瑪塔·福克斯,瑪雅·凱洛哈,Cyndi Mayo-Akeo,Cyndi Mayo,斯蒂芬·歐陽,莉迪亞·佩克漢講述一對性格迥異的同父異母兄弟——哥哥是行事沖動的偵探，弟弟是紀律嚴明的海軍海豹突擊隊員——因父親在夏威夷遇害而被迫聯(lián)手，踏上一場危機四伏的追尋之路，誓要揭開背后隱藏的驚天陰謀。
本能反應(yīng)
安東尼·霍普金斯,小庫珀·古丁,唐納德·薩瑟蘭鮑威爾（安東尼?霍普金斯 Anthony Hopkins 飾）是一位專門研究黑猩猩的人類學家，他在盧旺達長期觀察觀察當?shù)睾谛尚傻幕顒?。然而兩年前，這位性情溫和的學者突然性情大變，殺了兩位當?shù)氐纳止芾韱T以及傷害了多名管理員后神秘失蹤。如今，他終于被逮捕歸案，關(guān)押在美國高度戒嚴的精神病監(jiān)獄?！ ∧贻p的精神病專家卡爾特（小庫珀?古丁 Cuba Gooding 飾）意圖揭開鮑威爾精神失常之謎而一舉成名，于是他深入到監(jiān)獄直接與鮑威爾進行對話。鮑威爾一開始對這位訪客充滿敵意，身為人類學家的他在卡爾特面前一點也不落下風。隨著對話的逐漸深入，卡爾特漸漸了解到了事件真相：鮑威爾殺害的管理員其實是偷獵大猩猩的惡棍……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.