城堡夢魘

魔法老師

　　在外星人的眼中，地球人就是供他們玩樂的消遣。一群外星人打了一個賭，賭注是地球的存亡。他們在地球上隨機選了一個人，賦予他心想事成的超能力，如果這個人最終成為了貪得無厭的惡人，外星人就選擇把地球毀滅，但如果這個人依然維持著善良的本性，則意味著地球仍然有著繼續(xù)運轉的意義。　　平凡而又內(nèi)向的中學老師尼爾（西蒙·佩吉 Simon Pegg 飾）成為了這名干系到地球存亡的天選之子，在擁有了超能力后，尼爾的身邊發(fā)生了一連串有驚無險令人不知該笑還是該害怕的意外。與此同時，尼爾默默愛慕的女子凱瑟琳（凱特·貝金賽爾 Kate Beckinsale 飾）也被卷入了危險之中。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

古劍奇譚之焚寂天劫

蓬萊大戰(zhàn)三百年后，百里屠蘇終被風晴雪復活，歐陽少恭也被巽芳救出。蚩尤控制少恭危害百姓，眾人合力對抗卻不敵。屠蘇得到女媧指點，將劍魄給予少恭，合體擊敗蚩尤，以死換得天下太平。

外星+人

　　該片講述了道士們爭奪傳聞中神劍的高麗末期和外星人出沒的2022年之間的時光之門被打開后，引發(fā)的異想天開的故事。

四面三角

我是桐島

物語は1970年代、桐島の大學時代から始まる。反日武裝戦線の活動に共鳴して行動をともにしていた彼は、1974年の三菱重工爆破事件で多數(shù)の犠牲者を出したことにより、深い葛藤にさいなまれる。警察當局の捜査が進んで組織が壊滅狀態(tài)になる中、指名手配された桐島は偽名を使って逃亡。やがて工務店での住み込みの職と靜かな生活を手にした桐島は、ライブハウスで歌手キーナと知り合う。