狩獵之夜
On暫無內(nèi)容a暫無內(nèi)容cold暫無內(nèi)容dark暫無內(nèi)容night暫無內(nèi)容a暫無內(nèi)容mysterious暫無內(nèi)容blonde暫無內(nèi)容girl暫無內(nèi)容is暫無內(nèi)容seen暫無內(nèi)容running暫無內(nèi)容around暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容woods.暫無內(nèi)容It's暫無內(nèi)容Elisabeth暫無內(nèi)容(Brigitte暫無內(nèi)容Lahaie),暫無內(nèi)容who暫無內(nèi)容has暫無內(nèi)容escaped暫無內(nèi)容from暫無內(nèi)容a暫無內(nèi)容high-rise暫無內(nèi)容prison,暫無內(nèi)容where暫無內(nèi)容people暫無內(nèi)容are暫無內(nèi)容kept暫無內(nèi)容who暫無內(nèi)容have暫無內(nèi)容been暫無內(nèi)容contaminated暫無內(nèi)容by暫無內(nèi)容an暫無內(nèi)容environmental暫無內(nèi)容accident.暫無內(nèi)容Their暫無內(nèi)容thoughts,暫無內(nèi)容memories暫無內(nèi)容and暫無內(nèi)容emotions暫無內(nèi)容are暫無內(nèi)容slowly暫無內(nèi)容eaten暫無內(nèi)容away暫無內(nèi)容by暫無內(nèi)容disease,暫無內(nèi)容turning暫無內(nèi)容them暫無內(nèi)容into暫無內(nèi)容sad,暫無內(nèi)容helpless暫無內(nèi)容creatures.暫無內(nèi)容A暫無內(nèi)容young暫無內(nèi)容man暫無內(nèi)容(Vincent暫無內(nèi)容Carder)...
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米奇船大屠殺
Natasha Tosini,Shayli Reagan,Lauren Leppard一名正在與毒癮作斗爭的年輕女子突然開始看到一種變異的老鼠與人類的雜交體，這種雜交體侵擾了她的生活。她周圍的人開始可怕地死去…
惡魔的破壞 后篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,和氣杏未,白石涼子,入野自由,內(nèi)山昂輝,坂泰斗,諏訪部順一,津田健次郎三年前的8月31日，“侵略者”巨大的母艦突如其來地降臨在東京，眼看這個世界即將迎來末日?！ ∽源酥?，絕望漸漸地融入了日常生活；大大的飛碟盤旋于空中，今天也依然不變地持續(xù)環(huán)繞著世界。而在還沒有來到世界末日的此刻，小山門出、中川凰蘭這兩個高中女生的青春時代才正要展開。
丹下左膳：大岡越前外傳
森山未來,黑木華,每熊克哉,福士誠治,加藤諒,平祐奈,宇梶剛士,相島一之,榎木孝明,橫內(nèi)正,田邊誠一,田村亮,高橋克典平侍出身、獨眼的劍豪丹下左馬之介（森山未來 飾），奉相馬家當主大膳亮（每熊克哉 飾）之命，前往江戶小野冢道場奪取傳說中的一對妖刀“乾云丸”與“坤龍丸”。他以忠義為念拼死挑戰(zhàn)，卻在激斗中失去了右臂。幸得通緝犯阿藤（黑木華 飾）與與吉（加藤諒 飾）相救，奇跡般地存活下來，化名“丹下左膳”重生。此后，圍繞妖刀的陰謀不斷擴大，敵人接踵而至，連町奉行大岡忠相（高橋克典 飾）也卷入其中——一場關乎忠義與命運的江戶風云由此展開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
村“靚”了
陶慧敏,王毅凡,李藝,張明明,葉青青,朱嘉鎮(zhèn),陳鏡宇,隋抒洋,張家駿該片講述了新時代，主人公陳建國回到家鄉(xiāng)，憑借創(chuàng)新精神和不懈努力，將曾經(jīng)“臟亂差”問題突出的家鄉(xiāng)成功打造為遠近聞名的民宿旅游村，不僅帶動了鄉(xiāng)村經(jīng)濟的蓬勃發(fā)展，顯著改善了村民的生活環(huán)境，更是引領村民踏上了共同富裕的小康道路，深刻展現(xiàn)了鄉(xiāng)村振興、創(chuàng)新合作、青年擔當以及鄉(xiāng)村發(fā)展的巨大潛力。
修女2
泰莎·法米加,喬納斯·布洛凱,斯托姆·瑞德,安娜·帕波維爾,邦妮·阿倫斯,凱特琳·羅斯·道尼,蘇珊娜·伯蒂什,萊昂廷·翁西厄,阿努克·達爾文·霍梅伍德,彼得·哈德森,塔瑪爾·巴魯克,娜塔莉·薩福蘭,馬克西姆·伊萊亞斯-梅內(nèi)特,帕斯卡·歐貝,亞歷山德拉·詹蒂爾,弗洛倫斯·梅斯泰,瑪歌·波萊爾,維維安娜·莫因,雷納塔·帕爾米涅洛,富爾維婭·帕特里齊亞·奧利維埃里故事發(fā)生在1956年的法國，一名牧師慘遭謀殺，某種邪惡正在散播，艾琳修女（泰莎·法米加 Taissa Farmiga 飾）將再次與鬼修女瓦拉克（邦妮·阿倫斯 Bonnie Aarons 飾）展開正面對決。