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劇情簡(jiǎn)介
武林大戰(zhàn)之龍闖天涯
同類(lèi)好片
開(kāi)端2025
崔娜·蒂虹,大衛(wèi)·丹席克,比約克·斯托姆,Luna Fuglsang Svelm?e,約翰·路易斯·施密特,Christine Gjerulff,Hanne Uldal,庫(kù)爾特·德萊耶,Christopher Nallo,Frederik Malmose,Josva Engedal Jacobsen,Klaus S?ndergaard,Andrea Enerstad Bolle,Alvin Burs?e,Karen Marie Holst Gudichsen,Noora Sofie Hjorth Biil召喚藍(lán)寶寶
瓦萊麗亞·圣馬丁,賈斯蒂娜·塞瓦略斯,丹妮拉·弗洛姆鮑姆狂鯊風(fēng)暴
菲比·黛內(nèi)芙,杰曼·翰蘇,科斯塔·德安杰洛,馬特·納夫萊,惠特尼·皮克,艾莉拉·布朗,史泰西·克勞森,以利亞·昂格瓦里,安德魯斯·李斯,Amy Mathews,Gemma Dart,Dante Ubaldi,Jon Prasida,Sian Luxford,Sami Afuni,Akosia Sabet,柴·漢森烏鴉
淺野忠信,瀧內(nèi)公美,托比·凱貝爾,高岡早紀(jì)異形怪胎 2
Michele Greene,Robin Curtis,Scott Valentine美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers人氣佳作
邪惡之屋
喬賽琳·唐娜休,湯姆·諾南,瑪麗·沃倫諾夫,格蕾塔·葛韋格,AJ·鮑恩,迪·沃倫斯,希瑟·羅博,莉娜·鄧納姆,格雷厄姆·瑞斯尼克,緹·威斯特洛杉磯劫案
克里斯·海姆斯沃斯,馬克·魯法洛,巴里·基奧恩,哈莉·貝瑞,莫妮卡·巴巴羅,科里·霍金斯,尼克·諾特,詹妮弗·杰森·李,泰特·多諾萬(wàn),保羅·安德斯坦,戴文·博斯蒂克,德魯·鮑威爾,帕特里克·穆?tīng)柧S,馬修·德?tīng)枴?nèi)格羅,安德拉·內(nèi)切塔,法希姆·法茲利,佩曼·莫阿迪,丹·佩羅,喬希·斯通,哈娜可·福特曼我的同桌是極品2
赫子銘,苑喬,阿仁被時(shí)間遺忘的人
帕特里克·韋恩,道格·麥克洛,莎拉·道格拉斯導(dǎo)演精選
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
怒海浩劫
影片講述了能源科考隊(duì)冒險(xiǎn)者號(hào)深潛器,在深海海溝執(zhí)行探測(cè)任務(wù)時(shí),突遭神秘暗流沖擊,墜入了海底未知禁區(qū)內(nèi),艙內(nèi)四名隊(duì)員失去聯(lián)系,生死未卜。中國(guó)救援隊(duì)青龍?zhí)柵R危受命,奔赴深海緊急救援,一場(chǎng)奇幻震撼的驚險(xiǎn)之旅就此展開(kāi)......
全信沒(méi)收
一群邁阿密警察在一間廢棄的藏身屋發(fā)現(xiàn)數(shù)百萬(wàn)現(xiàn)鈔,彼此之間的信任開(kāi)始瓦解。隨著外部人士得知充公金額如此可觀,一切變得疑點(diǎn)重重,到底還剩下什么可以相信?又有誰(shuí)依然值得信賴?